EADEBG Guitar Tuner
EADEBG Eadebg - Guitar tuning, chords & scales
Tuning Overview: Open E Minor 7 Sus4
This intriguing tuning, which we've named "Open E Minor 7 Sus4," transforms your guitar into a resonant instrument ready for unique harmonic exploration. The open strings are tuned to E-A-D-E-B-G, which collectively form an E Minor 7 Sus4 chord, providing a rich, open, and somewhat modal sound. The original description hints at this setup "reversing the first 3 strings," which can be understood as the 3rd (G) and 1st (high E) strings having their roles somewhat 'reversed' in terms of pitch movement relative to standard tuning – the G string drops to E, while the high E string rises to G.
Technical Analysis
Compared to standard E-A-D-G-B-E tuning, the changes are quite distinct on the G and high E strings. The low E, A, and D strings remain at their standard pitches, maintaining a familiar foundation for bass notes and power chords. However, the interval shifts on the higher strings create a new harmonic landscape:
- The 4th string (D3) to 3rd string (E3) interval is a Major 2nd (whole step), a significant departure from the standard Perfect 4th (D3 to G3).
- The 3rd string (E3) to 2nd string (B3) interval is a Perfect 4th, contrasting with the standard Major 3rd (G3 to B3).
- The 2nd string (B3) to 1st string (G4) interval is a Minor 3rd, unlike the standard Perfect 4th (B3 to E4).
These altered intervals make the open strings ring as an E Minor 7 Sus4 chord (E - Root, A - Sus4, D - b7, E - Octave, B - 5th, G - b3). This setup is ideal for creating droning effects, open chord voicings, and slide guitar, particularly in keys or modes related to E minor or E Dorian.
Chordal Exploration
With the open tuning sounding an E Minor 7 Sus4, many existing chord shapes will need to be re-evaluated. However, new sonic possibilities emerge:
- Open Chords: The open strings themselves provide a rich E Minor 7 Sus4. By simply barring across various frets, you can create transpositions of this chord quality (e.g., barring the 1st fret gives you an F Minor 7 Sus4).
- Minor Harmony: The inherent Minor 3rd (G) and flat 7th (D) lend themselves well to minor key compositions. Exploring E minor scales and arpeggios will feel natural.
- Sus4 & Modal Voicings: The A (sus4) adds a beautiful open, airy quality. This tuning is excellent for modal playing, offering unique voicings for E Dorian, E Phrygian, or other scales that utilize the natural 4th and flat 7th.
- Simplified Bass Lines: The lower E-A-D strings remaining standard allows for easy integration of familiar bass lines and power chords, while the higher strings provide harmonic colour.
How to Tune
To achieve the "Open E Minor 7 Sus4" tuning from standard E-A-D-G-B-E, follow these steps. Please tune carefully and use a reliable tuner.
- 6th String (Low E): Keep as is; no change (0 semitones). Final note: E2.
- 5th String (A): Keep as is; no change (0 semitones). Final note: A2.
- 4th String (D): Keep as is; no change (0 semitones). Final note: D3.
- 3rd String (G): Tune down 3 semitones (G to E). Final note: E3. Caution: Tuning down 3 semitones is a significant change, proceed slowly.
- 2nd String (B): Keep as is; no change (0 semitones). Final note: B3.
- 1st String (High E): Tune up 3 semitones (E to G). Final note: G4. Caution: Tuning up 3 semitones is a significant change. Take care to avoid string breakage, especially with lighter gauge strings.
General Tuning Advice: When tuning strings up or down by more than 4 semitones (a major third or more), it's generally advisable to consider using a different gauge of string to maintain proper tension and prevent damage to your instrument or strings. For this tuning, the 3-semitone changes are moderate, but always exercise caution.
The open notes for this "Open E Minor 7 Sus4" tuning are as follows, from lowest to highest string:
6th String: E2
5th String: A2
4th String: D3
3rd String: E3
2nd String: B3
1st String: G4
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Capos for EADEBG
| Capo | Tuning | Name |
|---|---|---|
| 0 | EADEBG | Eadebg |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 0
- 0
- 0
- -3
- 0
- 3
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