EADGG#D# Guitar Tuner
EADGG#D# | EADGA♭E♭ E A D G G# D# - Guitar tuning, chords & scales
The "Bending Hectic Tuning" is a fascinating and highly specialized setup, meticulously crafted to achieve the unique sonic landscape of 'Bending Hectic' by The Smile. This tuning masterfully blends familiar standard elements with strikingly altered higher strings, creating a rich tapestry of harmony and dissonance.
Verbal Analysis:
At its core, this tuning provides a stable, recognizable foundation with the lower four strings (E, A, D, G) remaining in standard configuration. This allows for a sense of grounding while the real sonic adventure unfolds on the higher strings. The second string is dramatically lowered from a standard B to G#, and the first string is subtly dropped from E to D#. This creates a unique intervallic tension, particularly between the adjacent G (3rd string) and G# (2nd string), forming a potent minor second. This proximity, coupled with the perfect fifth interval between G# and D# on the top two strings, encourages exploration of unconventional voicings, drone effects, and melodic lines that would be impossible or very awkward in standard tuning. The open string character is not immediately a conventional chord, but rather a complex cluster designed for specific musical textures, highlighting tension and resolution through its distinct intervals. It beckons players to think outside traditional chord shapes and embrace its inherent harmonic quirkiness.
Technical Analysis:
- Tuning Notes: E2-A2-D3-G3-G#4-D#5
- Base Structure: The 6th (E), 5th (A), 4th (D), and 3rd (G) strings retain their standard tuning, providing a familiar anchor.
- Key Intervals (Open Strings):
- E2-A2: Perfect 4th
- A2-D3: Perfect 4th
- D3-G3: Perfect 4th
- G3-G#4: Compound Minor 2nd (Octave + Minor 2nd) - a significant source of dissonance and tension.
- G#4-D#5: Perfect 5th - offering a stable, powerful interval on the highest strings.
- Open Chord Voicings & Implications: The full open string voicing E-A-D-G-G#-D# is a complex, non-standard chord. It contains elements of E minor (E, G) but is heavily modified by the A, D, and particularly the G# and D#. The G-G#-D# cluster on the upper strings is pivotal; G#-D# forms a G#5 power chord, but the addition of G creates a stark, minor second dissonance. This setup is ideal for creating sustained drones, arpeggiated figures, and melodies that leverage the tight intervals on the higher strings. While not designed for conventional open chord strumming, it opens pathways to unique harmonic textures, making complex, dissonant voicings easily accessible.
How to Tune:
To achieve the "Bending Hectic Tuning" from standard EADGBe, follow these steps:
- 6th String (Low E): Keep as is; no change (0 semitones).
- 5th String (A): Keep as is; no change (0 semitones).
- 4th String (D): Keep as is; no change (0 semitones).
- 3rd String (G): Keep as is; no change (0 semitones).
- 2nd String (B): Tune down 3 semitones to G#. Caution: Tuning down 3 semitones is a significant alteration. While generally manageable, carefully monitor string tension during this adjustment. If frequent use is planned, a different string gauge might be advisable.
- 1st String (High E): Tune down 1 semitone to D#.
The "Bending Hectic Tuning" sets your guitar to the following open notes:
- 6th String (Lowest): E2 (Low E)
- 5th String: A2
- 4th String: D3
- 3rd String: G3
- 2nd String: G4# (G sharp)
- 1st String (Highest): D5# (D sharp)
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Capos for EADGG#D#
Capo | Tuning | Name |
---|---|---|
0 | EADGG#D# | E A D G G# D# |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 0
- 0
- 0
- 0
- -3
- -1