EAEADE Guitar Tuner
EAEADE Eaeade - Guitar tuning, chords & scales
Description - Eaeade
i use this tuning in my band, why cats, why? . we used daeac#e for few songs. i tried to get a darker feel and just give a semitone more to the second string for one song, and the same plus the 6th string in e for another song. nice to use chords with the top two strings and add the highest strings for a darker feel. good for tapping and skramz arpegios
The 'Dark Emotive EADE Tuning' is a profound and emotionally charged guitar setup, specifically tailored for achieving a "darker feel" as described by its creator. It evolves from a standard tuning, retaining the low E and A, but then dramatically alters the middle and upper strings to create a unique sonic landscape, ideal for genres like skramz and other emotive, heavy styles. The tuning emphasizes open, ringing tones and complex harmonic textures, perfect for tapping arpeggios and intricate melodic work.
Technical Analysis:
This tuning presents as E A E A D E, moving from the lowest (6th) to the highest (1st) string. Let's break down its harmonic implications:
- Open Chord: The open strings reveal an intriguing harmonic cluster. With E as the root (E2), the tuning features A (perfect 4th), E (octave), A (octave of 4th), D (minor 7th), and E (octave). This creates an open E minor 7th suspended 4th chord (Em7sus4) or an Em(add4, add m7). It’s a rich, resonant voicing that immediately evokes a melancholic or intense mood.
- Interval Relationships: The repeated E and A notes (E-A-E-A) across the lower four strings establish a powerful, droning foundation. This makes power chords (E5, A5) easily accessible and gives a strong, sustained resonance to open strumming. The shift to D on the 2nd string introduces a minor 7th, deepening the harmonic complexity, while the high E provides a bright, resonant top end.
- Chord Voicings & Accessibility:
- Open String Chords: Strumming all open strings delivers the characteristic Em7sus4 sound, providing an immediate, full-bodied texture.
- Power Chords: Standard 5th chords are readily formed on the lower E and A strings. Barre chords will require re-learning, but a barre across the first four strings (E A E A) at any fret will yield a suspended power chord shape (e.g., fretting at the 5th fret yields A-D-A-D, which is an A sus4 power chord).
- Creator's Insights: As the creator noted, using the top two strings (D4, E4) offers a major second interval for melodic phrases or delicate arpeggios. Integrating these with the lower strings, especially the high A3 and D4, can enhance the "darker feel" by bringing out the minor 7th and sus4 characteristics within E-based voicings.
- Suitability: This tuning is highly suitable for players seeking a unique harmonic palette for heavy, atmospheric music. The open strings lend themselves well to droning riffs, percussive tapping, and intricate arpeggios, as highlighted in the creator's description. The significant upward tuning on the D, G, and B strings means careful consideration of string gauge is advised for optimal playability and string longevity.
The 'Dark Emotive EADE Tuning' sets your guitar's strings as follows (from lowest to highest pitch):
- 6th String (Low E): E2
- 5th String (A): A2
- 4th String (D): E3
- 3rd String (G): A3
- 2nd String (B): D4
- 1st String (High E): E4
How to Tune:
To achieve the 'Dark Emotive EADE Tuning' from a standard E-A-D-G-B-E setup, follow these string adjustments:
- 6th String (Low E): Keep as is; no change (0 semitones).
- 5th String (A): Keep as is; no change (0 semitones).
- 4th String (D): Tune up 2 semitones to E3. (Note: Tuning up multiple semitones, even just 2, requires care.)
- 3rd String (G): Tune up 2 semitones to A3. (Note: Tuning up multiple semitones, even just 2, requires care.)
- 2nd String (B): Tune up 3 semitones to D4. (Note: Tuning up multiple semitones, especially 3 or 4 semitones, requires significant care. For tunings exceeding 4 semitones, a different gauge string is often advised.)
- 1st String (High E): Keep as is; no change (0 semitones).
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 0
- 0
- 2
- 2
- 3
- 0
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