EAEFCE Guitar Tuner
EAEFCE Fmaj7 - Guitar tuning, chords & scales
Verbal & Technical Analysis
The 'fmaj7' tuning presents a wonderfully dark, ambient, cool, intimate, and spooky sonic palette for your guitar. This open tuning, E-A-E-F-C-E, is a true F Major 7th chord (F-A-C-E) with doubled root and octave notes, making it incredibly resonant and expressive.
When strummed open, your guitar will ring out a full F Major 7th chord. This inherent harmony makes it ideal for creating lush arpeggios, atmospheric drones, and sophisticated chord voicings with minimal effort. The standard low E and high E strings remain, providing familiar anchor points, while the modified inner strings open up a world of new melodic and harmonic possibilities.
Due to the Fmaj7 open voicing, exploring inversions and extensions of Fmaj7 up the neck becomes intuitive. Barre chords will naturally yield other major 7th chords (e.g., bar at the 1st fret for F#maj7, 3rd fret for Gmaj7). The unique interval structure between the E3 (4th string), F3 (3rd string), and C4 (2nd string) – a semitone followed by a perfect fifth – encourages interesting fingerings for minor chords, suspended chords, and jazz voicings around the Fmaj7 core. It's a fantastic tuning for songwriters looking for a distinctive, melancholic, or jazz-inflected sound.
How to Tune Your Guitar to 'fmaj7'
To achieve the 'fmaj7' tuning, you will adjust your standard E-A-D-G-B-E tuning as follows. Always tune carefully and incrementally:
- String 6 (Low E): Keep as is; no change (0 semitones). Stays at E2.
- String 5 (A): Keep as is; no change (0 semitones). Stays at A2.
- String 4 (D to E): Tune up 2 semitones. This will take your D string up to E3.
- String 3 (G to F): Tune down 2 semitones. This will take your G string down to F3.
- String 2 (B to C): Tune up 1 semitone. This will take your B string up to C4.
- String 1 (High E): Keep as is; no change (0 semitones). Stays at E4.
Important Note on String Tension: Generally, when tuning strings significantly (e.g., more than 4 semitones up or down), it is advisable to consider using a different string gauge to maintain proper tension and prevent string breakage. This particular 'fmaj7' tuning involves relatively minor adjustments (max 2 semitones up/down), so standard strings should be suitable, but always exercise caution when tuning up.
String 6: E2 (Low E)
String 5: A2
String 4: E3
String 3: F3
String 2: C4
String 1: E4 (High E)
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
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- -9
- G
- C
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- A#
- D
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- B
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- C
- E
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- F
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- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
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- G
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- C#
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- B
- E
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- -2
- D
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- B
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- -2
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