EBEAC#F#BE Guitar Tuner
EBEAC#F#BE | EBEAD♭G♭BE A6/9 Drop E Variation - Guitar tuning, chords & scales
Introducing the "Technical Sludge E Drop" Tuning
Explore a unique 9-string Guitar tuning, which we've dubbed "Technical Sludge E Drop." This tuning, originally named "a6/9 drop e variation," is a personal creation designed to deliver a powerful, technical sound, perfectly suited for the intricate and heavy riffs of technical sludge metal.
As described by its creator, this tuning aims to "help me save my 9 string, and start a technical sludge metal group." It achieves this by incorporating distinct sharpened notes (C# and F#) into a foundational Drop E structure. These specific sharps are believed to enhance the sonic palette, offering a fresh take on the genre's typical aggressive voicings.
Technical Breakdown: Open String Voicing and Potential
This 9-string Guitar tuning provides a rich, extended range, setting the stage for deep, resonant textures and angular harmonies across a massive fretboard.
- Low End Power: The lowest three strings are E1, B1, E2, forming a formidable low E power chord (E-B-E). This provides an incredibly solid foundation, ideal for massive chugging riffs and earth-shattering breakdowns, characteristic of drop tunings. The subsequent A2 (5th string from bottom) adds a perfect fourth interval to the low E, further enhancing its robust character.
- Extended Harmonies (6th and 9th): The core of the "a6/9" variation becomes evident with the C#4 (4th string from top) and F#4 (3rd string from top). Relative to the low E root, C# is the major 6th, and F# is the major 9th (or 2nd). These notes introduce a brighter, more sophisticated harmonic dimension, moving beyond simple power chords and hinting at extended jazz-influenced voicings within a metal context.
- Higher Register Clarity: The highest strings, B3 (2nd string from top) and E4 (1st string from top), maintain a standard perfect fourth interval. These provide clarity for melodic lines, upper extensions, or ringing open harmonies, contrasting with the dense low end.
- Open Chord Potential & Reachability: While not a conventional open chord tuning, the E-B-E on the lowest strings forms a strong E power chord. When incorporating the A2, you can hint at an E minor (with an added 4th) or suspended voicings. The C#, F#, B, E on the higher strings offer unique shapes. For instance, playing the top three strings (F#4, B3, E4) creates an open Bsus4 voicing. The full open tuning, E1-B1-E2-A2-C#4-F#4-B3-E4, suggests a powerful base for dissonant, atmospheric chords or tight, technical riffing where precise intervals are crucial. The interval relationships between strings (E1-B1 is P5, B1-E2 is P4, E2-A2 is P4, A2-C#4 is M6, C#4-F#4 is P4, F#4-B3 is P5 down / P4 up, B3-E4 is P4) create interesting fingerboard patterns. The wider interval like A2 to C#4 (a major 6th) on adjacent strings will encourage larger stretches or specific chord voicings that leverage these gaps, offering unique harmonic possibilities.
How to Tune Your 9-String Guitar
Carefully adjust each string to its target note. Note that string movements exceeding negative 4 or positive 4 semitones generally advise a different string gauge to ensure optimal tension and prevent damage. This tuning features moderate adjustments, well within safe limits for standard 9-string gauges.
- String 8 (Lowest E): Tune down 2 semitones to E1.
- String 7 (B): Keep as is; no change to B1.
- String 6 (E): Keep as is; no change to E2.
- String 5 (A): Keep as is; no change to A2.
- String 4 (C#): Tune down 1 semitone to C#4.
- String 3 (F#): Tune down 1 semitone to F#4.
- String 2 (B): Keep as is; no change to B3.
- String 1 (Highest E): Keep as is; no change to E4.
Open String Notes
String 8 (Lowest): E1
String 7: B1
String 6: E2
String 5: A2
String 4: C#4
String 3: F#4
String 2: B3
String 1 (Highest): E4
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Capos for EBEAC#F#BE
| Capo | Tuning | Name |
|---|---|---|
| 0 | EBEAC#F#BE | A6/9 Drop E Variation |
| 1 | FCFA#DGCF | A#6/9 Or Drop F Variation |
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Tuning Map
- Fret
- S8
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- F#
- B
- E
- A
- D
- G
- B
- E
- -11
- G
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- G#
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- F#
- B
- E
- A
- C#
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- -9
- A
- D
- G
- C
- F
- A#
- D
- G
- -8
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- C#
- F#
- B
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- -7
- B
- E
- A
- D
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- C
- E
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- -6
- C
- F
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- F
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- -5
- C#
- F#
- B
- E
- A
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- E
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- 0
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