This is the Standard guitar tuning in reverse. As maybe the fret board of any guitar maybe look to left handed guitarists.

Verbal Analysis

The 'Lefty' tuning offers a unique perspective on the familiar guitar setup, literally reversing the standard E-A-D-G-B-E note progression to E-B-G-D-A-E across the strings. This distinctive arrangement, as its name suggests, can offer a fresh, perhaps more intuitive, layout for left-handed guitarists or provide any player with an entirely new sonic landscape to explore. The lowest and highest E strings remain the same, providing familiar anchors while the inner strings are dramatically re-pitched. This creates a very open and ringing sound, perfect for strumming and fingerstyle, with an inherent harmonic richness.

Technical Analysis

The open strings for this tuning are E2-B2-G3-D3-A3-E4. When played together, these notes form an E minor 11th chord (E-B-G-D-A-E). This is a sophisticated and full-bodied chord, providing a rich, jazzy, or ambient foundation without any fretting. The intervals between the strings are quite varied:

• String 6 (E2) to String 5 (B2): Perfect 5th
• String 5 (B2) to String 4 (G3): Minor 3rd (plus an octave)
• String 4 (G3) to String 3 (D3): Perfect 4th (down)
• String 3 (D3) to String 2 (A3): Perfect 5th
• String 2 (A3) to String 1 (E4): Perfect 5th

The abundance of perfect fifths (E-B, D-A, A-E) makes power chords incredibly accessible across various string sets, requiring only single-finger barres for root-fifth voicings. The E-B-G on the thickest three strings immediately forms an E minor triad, ideal for melancholic or bluesy progressions. The unique grouping of notes allows for interesting drone possibilities and encourages exploration of arpeggios that might feel unfamiliar in standard tuning. Despite its 'reversed' nature, the presence of the open E minor 11th chord suggests a harmonious, resonant quality.

How to Tune

To achieve the 'Lefty' tuning from standard E-A-D-G-B-E tuning, follow these steps:

• String 6 (Low E to E2): Keep as is; no change (0 semitones).
• String 5 (A to B2): Tune up 2 semitones.
• String 4 (D to G3): Tune up 5 semitones. Please be cautious, as tuning up 5 semitones significantly increases string tension. A different gauge string is advised for sustained use.
• String 3 (G to D3): Tune down 5 semitones. This is a significant drop in pitch. A different gauge string is advised for optimal tension and tone.
• String 2 (B to A3): Tune down 2 semitones.
• String 1 (High E to E4): Keep as is; no change (0 semitones).

String 6 (Low E): E2

String 5: B2

String 4: G3

String 3: D3

String 2: A3

String 1 (High E): E4