EBG#EBE Guitar Tuner
EBG#EBE | EBA♭EBE EBEG#BE - Guitar tuning, chords & scales
Tuning Analysis: EBEG#BE
This tuning, named EBEG#BE, is a vibrant and resonant open tuning that naturally lends itself to a bright, major tonality. It essentially transforms your guitar into an E Major chord when played open, providing a rich, full sound with significant harmonic depth. This characteristic makes it an excellent choice for slide guitar, drone-based music, and compositions seeking a powerful, open-string resonance.
Technical Breakdown
- The open strings, from low to high, are tuned to E2, B2, E3, G#4, B3, E4.
- Analyzing the notes, we find E (root), B (perfect fifth), and G# (major third). The full set of notes present across the open strings are E, G#, and B, unequivocally forming an E Major triad.
- There are multiple octaves of E (E2, E3, E4) and B (B2, B3) present, contributing significantly to the tuning's impressive resonance, sustain, and shimmering quality.
- The intervals from the lowest E (String 6) are: a Perfect 5th to B2, an Octave to E3, a Major 10th to G#4 (an octave above a Major 3rd), a Perfect 12th to B3 (an octave above a Perfect 5th), and two Octaves to E4.
- This arrangement provides a strong harmonic foundation, making it easy to create full-sounding chords with minimal effort, often by simply barring across a single fret.
Chords and Playability
With the EBEG#BE tuning, playing an E Major chord open is effortless and highly resonant. By simply barring a single finger across all strings at any fret, you can easily play major chords up and down the neck (e.g., barring at the 1st fret gives you an F Major, 2nd fret an F# Major, etc.). This makes it incredibly intuitive for songwriting and improvisation, especially for styles like blues, folk, or rock where open, ringing chords are desired. The closely spaced E and B notes also provide excellent drone possibilities and a full-bodied sound for strumming.
How to Tune Your Guitar
To achieve the EBEG#BE tuning from standard EADGBe, follow these steps for each string:
- String 6 (Low E): Keep as is; no change (0 semitones). The E2 note remains E2.
- String 5 (A): Tune up 2 semitones. This moves the A2 to a B2.
- String 4 (D): Tune up 6 semitones. This moves the D3 to a G#3. Please note: Tuning up 6 semitones is a significant increase in pitch and string tension. For optimal tone, tuning stability, and to avoid potential string breakage, a heavier gauge string is advised if you plan to use this tuning frequently. Adjust carefully.
- String 3 (G): Tune down 3 semitones. This moves the G3 to an E3.
- String 2 (B): Keep as is; no change (0 semitones). The B3 note remains B3.
- String 1 (High E): Keep as is; no change (0 semitones). The E4 note remains E4.
Always tune slowly and carefully. When tuning significantly up or down (exceeding 4 semitones in either direction), consider the string's gauge and the potential stress on the guitar neck for safety and optimal playability.
String 6 (Low E): E2
String 5 (A): B2
String 4 (D): G#4
String 3 (G): E3
String 2 (B): B3
String 1 (High E): E4
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 0
- 2
- 6
- -3
- 0
- 0