EDC#D#GD#C# Guitar Tuner
EDC#D#GD#C# | EDD♭E♭GE♭D♭ EDC#D#GD#C# - Guitar tuning, chords & scales
This is an highly experimental and deeply resonant 7-string guitar tuning, designed for players looking to explore unique soundscapes beyond conventional harmonies. Often dubbed "Sharp Resonance Drop", it combines a deep, rumbling low end with bright, piercing high notes, creating a wide sonic palette.
Verbal Analysis
The most striking feature of this tuning is its vast range, spanning over three octaves from the low E1 to the high D#5/C#5. This allows for incredibly full and rich textures. The repeated presence of C# and D# across different octaves (C#4, D#4, D#5, C#5) lends itself to shimmering drones and sustained, metallic overtones. While not immediately conducive to traditional open major or minor chords, this tuning excels in creating evocative ambient soundscapes, intricate fingerstyle passages, or heavy, angular riffs with a strong, almost industrial character. It encourages a departure from standard chord shapes, pushing the player to discover new voicings and melodic possibilities.
Technical Analysis
- Notes: E1 D2 C#4 D#4 G3 D#5 C#5
- Instrument: 7-String Guitar
- Overall Range: From E1 (lowest string) to D#5/C#5 (highest strings), providing a very broad frequency spectrum.
- Key Intervals/Voicings:
- The large intervals between strings (e.g., D2 to C#4, G3 to D#5) create a 'broken chord' or arpeggiated feel, favoring melodic exploration over simple strumming.
- The open strings E1, D2, C#4, D#4, G3, D#5, C#5 don't immediately form a common major or minor triad. However, the recurring C# and D# notes suggest a focus around C# or D# tonality, potentially hinting at modes or specific scales like a C# Phrygian Dominant or D# Locrian, or even microtonal exploration with slight bends.
- Open string combinations such as (C#4, D#4, D#5, C#5) create a tight, dissonant cluster that can be utilized for sharp, cutting sounds or atmospheric textures.
- Despite the dissonance, the presence of E1, G3, and D2 offers a loose framework that could be manipulated to create a dark E minor 7th sound (E G D) with the C# and D# notes acting as strong color tones or extensions, perhaps forming an Em(maj7) or Em(add9).
- Playing a power chord on the lowest two strings (E1, D2) can provide a solid, deep foundation, allowing the higher strings to weave complex harmonic tapestries above. For example, an open 5th fret barre across strings 7-4 would give A2, G2, F#4, G#4, creating a unique cluster.
- Best Suited For: Experimental music, metal (for its aggressive potential), ambient music, film scoring, or any genre requiring a truly unique and expansive sonic signature.
How to Tune
Approach this tuning with care, especially for strings with significant pitch changes. A reliable tuner is essential. For strings moving more than 4 semitones up or down, considering a different string gauge is highly recommended to maintain string tension and prevent damage.
- String 7 (Lowest): Tune down 7 semitones. (Note: E1) Careful: Tuning down 7 semitones is a significant change, consider a heavier gauge string.
- String 6: Tune down 2 semitones. (Note: D2)
- String 5: Tune up 4 semitones. (Note: C#4) Careful: Tuning up 4 semitones is a significant change, consider a lighter gauge string.
- String 4: Tune up 1 semitones. (Note: D#4)
- String 3: Keep as is; no change (0 semitones). (Note: G3)
- String 2: Tune up 4 semitones. (Note: D#5) Careful: Tuning up 4 semitones is a significant change, consider a lighter gauge string.
- String 1 (Highest): Tune down 3 semitones. (Note: C#5)
The final tuning for your 7-string guitar will be:
- String 7 (Lowest): E1
- String 6: D2
- String 5: C#4
- String 4: D#4
- String 3: G3
- String 2: D#5
- String 1 (Highest): C#5
Comments - have your say on EDC#D#GD#C#
Capos for EDC#D#GD#C#
Capo | Tuning | Name |
---|---|---|
0 | EDC#D#GD#C# | EDC#D#GD#C# |
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- B
- E
- A
- D
- G
- B
- E
- -11
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- D
- G
- C
- F
- A#
- D
- G
- -8
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- E
- A
- D
- G
- C
- E
- A
- -6
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- F#
- B
- E
- A
- D
- F#
- B
- -4
- G
- C
- F
- A#
- D#
- G
- C
- -3
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- A
- D
- G
- C
- F
- A
- D
- -1
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- B
- E
- A
- D
- G
- B
- E
- 1
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- D
- G
- C
- F
- A#
- D
- G
- 4
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- E
- A
- D
- G
- C
- E
- A
- 6
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- F#
- B
- E
- A
- D
- F#
- B
- -7
- -2
- 4
- 1
- 0
- 4
- -3