This unique tuning, known as the "Guitarra de Golpe (Tecatlitlan) Tuning," is characteristic of a traditional mariachi instrument, providing a distinctive sonic palette.

Verbal Analysis

Unlike standard guitar tunings, this setup features a re-entrant arrangement, meaning not all strings are tuned progressively from lowest to highest pitch. This contributes to its rich and complex sound, lending itself beautifully to the rhythmic accompaniment and melodic nuances found in traditional mariachi music. The inherent open E minor 11th chord provides a deep, resonant foundation, perfect for easily accompanying traditional melodies or for crafting new pieces with a melancholic yet vibrant character. The unusual string order encourages a fresh approach to the fretboard, opening up unique melodic and harmonic possibilities.

Technical Analysis

The open strings are tuned to E2, D3, G2, B3, E3, A3 (from the thickest 6th string to the thinnest 1st string). A key characteristic is its re-entrant nature, where the 5th string (D3) is tuned higher in pitch than the 4th string (G2), breaking the typical ascending pitch order.

When all open strings are strummed, they collectively form a rich E minor 11th chord (E-G-B-D-A). This provides an immediate, full-bodied harmonic base. The constituent notes are:

• E (Root)
• G (Minor 3rd)
• B (Perfect 5th)
• D (Minor 7th)
• A (Perfect 4th or 11th)

This complex open chord makes it easy to evoke a sophisticated minor tonality. While standard chord shapes will need adaptation, the inherent harmony of the open strings and the re-entrant intervals offer new possibilities for voicings and melodic patterns, particularly within the E minor and related modal contexts. Players will find that exploring finger positions around the open E minor 11th will unlock a wealth of unique voicings and progressions.

How to Tune to Guitarra de Golpe (Tecatlitlan)

To achieve the unique "Guitarra de Golpe (Tecatlitlan) Tuning" from standard E Standard tuning (E-A-D-G-B-E), follow these specific adjustments for each string:

• 6th String (Low E): Keep as is; no change (0 semitones). It remains E2.
• 5th String (A String): Tune up 5 semitones to D3. Caution: Tuning up 5 semitones significantly increases string tension. It is highly recommended to consider using a lighter gauge string for this adjustment to prevent string breakage or damage to your instrument.
• 4th String (D String): Tune down 7 semitones to G2. Caution: Tuning down 7 semitones is a substantial drop in tension. A heavier gauge string may be advised to maintain optimal playability and intonation.
• 3rd String (G String): Tune up 4 semitones to B3. Caution: Tuning up 4 semitones significantly increases string tension. It is highly recommended to consider using a lighter gauge string for this adjustment to prevent string breakage or damage to your instrument.
• 2nd String (B String): Tune down 7 semitones to E3. Caution: Tuning down 7 semitones is a substantial drop in tension. A heavier gauge string may be advised to maintain optimal playability and intonation.
• 1st String (High E): Tune down 7 semitones to A3. Caution: Tuning down 7 semitones is a substantial drop in tension. A heavier gauge string may be advised to maintain optimal playability and intonation.

Always tune carefully and check intonation after making such significant changes.

6th String (Lowest): E2

5th String: D3

4th String: G2

3rd String: B3

2nd String: E3

1st String (Highest): A3