FACFCD Guitar Tuner
FACFCD Facfcd - Guitar tuning, chords & scales
Verbal Analysis:
This "Open Fmaj6 Dream" tuning, originally described as a "sonically gorgeous tuning," truly lives up to its name. When strummed open, it immediately resonates with a rich and expansive F Major 6th chord, creating a lush soundscape. The strategic repetition of F and C notes across different octaves provides a strong harmonic foundation, giving the tuning a compelling drone-like quality often found in folk, open-string, or even cinematic music. The presence of the D on the highest string adds a touch of wistfulness and sophistication, elevating the sound beyond a simple major chord into something more ethereal and evocative. Guitarists will find this tuning encourages spacious arrangements, allowing open strings to ring out and weave beautiful sustained harmonies.
Technical Analysis:
For a standard 6-string guitar, the tuning sets the open strings to F2-A2-C3-F3-C4-D4 (from the lowest to the highest string). This precise arrangement forms an F Major 6th chord (F-A-C-D) across all six open strings.
- Interval Structure: The low F (string 6) provides a robust root. The arrangement features perfect fifths (F2-C3) and perfect fourths (C3-F3, F3-C4), creating a highly resonant and stable base. The major third (A) on string 5 solidifies the major tonality. The F3 on string 3 reinforces the root, and the C4 on string 2 offers another perfect fifth. The D4 on string 1 is the major sixth, adding characteristic harmonic color and complexity.
- Harmonic Potential: The tuning inherently offers an Fmaj6 chord without any fretting, making it incredibly versatile for rhythm guitar, accompaniment, and writing pieces in the key of F. The strong presence of F and C also suggests that C major or even D minor (with the D as a prominent upper voice) voicings can be easily discovered and played with minimal effort.
Chordal Possibilities:
- Open Chord: Strumming all open strings yields a beautiful and full-bodied F Major 6th (Fmaj6) chord, ready to use immediately.
- Barre Chords: The consistent F-A-C-F-C pattern (with the D on the first string) makes barre chords highly intuitive. By barring all six strings at a specific fret, you will effortlessly produce a Major 6th chord rooted at that fret. For instance, a barre at the 1st fret gives you F#maj6, at the 3rd fret G#maj6 (Abmaj6), and so on up the neck.
- Sus2/Sus4 Variations: Given the open F and C notes, minor adjustments to the A string (string 5) or the C string (string 4) can easily lead to Fsus2 or Fsus4 voicings, adding further harmonic texture.
- Melodic Potential: The high D string offers a bright, open note that can be effectively used for melodic lines or as a sustained drone over F major progressions. The overall string arrangement also lends itself beautifully to fingerpicking patterns that emphasize the inherent Fmaj6 harmony.
How to Tune:
To transform your guitar from standard EADGBe to the "Open Fmaj6 Dream" tuning, follow these specific instructions for each string. Please note that all string movements are relatively small (within 2 semitones), so there is no need to change your string gauge.
- String 6 (Low E to F2): Tune up 1 semitone.
- String 5 (A to A2): Keep as is; no change (0 semitones).
- String 4 (D to C3): Tune down 2 semitones.
- String 3 (G to F3): Tune down 2 semitones.
- String 2 (B to C4): Tune up 1 semitone.
- String 1 (High E to D4): Tune down 2 semitones.
- String 6: F2 (Low E string tuned up 1 semitone)
- String 5: A2 (A string, no change)
- String 4: C3 (D string tuned down 2 semitones)
- String 3: F3 (G string tuned down 2 semitones)
- String 2: C4 (B string tuned up 1 semitone)
- String 1: D4 (High E string tuned down 2 semitones)
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 1
- 0
- -2
- -2
- 1
- -2