FA#DFA#F Guitar Tuner
FA#DFA#F | FB♭DFB♭F Open B - Guitar tuning, chords & scales
Tuning Analysis: Open B Guitar Tuning
This unique guitar tuning, officially named Open B, offers a distinctive sonic palette. As described, it's a higher variation of Open A tuning and is particularly well-suited for high-resolution or acoustic guitars, where its resonance and clarity can truly shine. While the tuning carries the name 'Open B', a technical analysis reveals that the open strings actually produce a rich Bb Major chord with an F in the bass (Bb/F). This robust and full-bodied open chord makes it ideal for rhythmic strumming, creating resonant drones, and facilitating expressive slide guitar techniques.
Technically, the tuning notes from the lowest to the highest string are F2, A#3 (Bb3), D3, F3, A#4 (Bb4), and F4. This arrangement provides a powerful harmonic foundation built around the notes F, Bb, and D. The open tuning features repeated F and Bb notes across multiple octaves, which contributes to its full and ringing quality. The intervals from the lowest F are a perfect 4th (Bb), a major 6th (D), an octave (F), a perfect 11th (Bb), and a major 13th (F). This specific voicing is excellent for exploring modal music and creating lush, sustained chordal textures.
The open Bb/F chord is highly versatile and forms a strong basis for improvisation and songwriting. One of the primary advantages of open tunings is the ease of forming chords by simply barring across a single fret. For instance, if you bar all strings at the 1st fret, you will effortlessly create a B/F# chord. This allows guitarists to transpose the open chord shape up and down the neck, quickly accessing various major chords and making it intuitive to play along with songs in different keys.
The string movements required for this tuning are relatively minor, with no string being tuned up or down by more than 2 semitones. This means that, for most standard electric or acoustic guitars, this tuning can be achieved without requiring a change in string gauge, reducing strain on the instrument and making it a practical choice for experimentation.
How to Tune:
- String 6 (Low E): Tune up 1 semitone to F2.
- String 5 (A): Tune up 1 semitone to A#3 (which is Bb3).
- String 4 (D): Keep as is; no change (0 semitones).
- String 3 (G): Tune down 2 semitones to F3.
- String 2 (B): Tune down 1 semitone to A#4 (which is Bb4).
- String 1 (High E): Tune up 1 semitone to F4.
Tuning Notes (Low to High):
String 6: F2
String 5: A#3
String 4: D3
String 3: F3
String 2: A#4
String 1: F4
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Capos for FA#DFA#F
Capo | Tuning | Name |
---|---|---|
-2 | D#G#CD#G#D# | G#maj |
-1 | EAC#EAE | Open A |
0 | FA#DFA#F | Open B |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 1
- 1
- 0
- -2
- -1
- 1