Verbal Analysis:

"Beam Me Up Scotty 1" is an adventurous and highly unconventional guitar tuning that immediately evokes a 'chill jazz with an edge' vibe, as described. It's designed for sonic exploration, offering a rich, somewhat dark, and harmonically complex soundscape. This tuning steers away from traditional diatonic harmony, instead creating a blend of familiar minor and augmented qualities with intriguing dissonances. Players can expect to find themselves in a creative space suitable for ambient textures, modern jazz improvisation, or experimental sound design. The name itself suggests a departure from the ordinary, inviting players to boldly go where few tunings have gone before, creating unique sonic journeys and 'nice arpeggios between 2 frets 2 frets apart' that can sound otherworldly.

Technical Analysis:

The open notes for this tuning are F2, A#3, D#4, F3, G#4, C4 (from low to high string). When arranged by pitch and analyzed, these notes form an F minor 7 suspended 4th (Fm7sus4) or F minor 11 chord. Specifically, the notes are F (Root), G# (enharmonically Ab, acting as a minor 3rd), A# (enharmonically Bb, acting as an 11th or suspended 4th), C (Perfect 5th), and D# (enharmonically Eb, acting as a minor 7th). The doubled root F (on strings 6 and 3) provides a solid foundation. The presence of both a minor 3rd (G# / Ab) and an 11th (A# / Bb) creates a distinct harmonic tension and richness, forming a dense, jazzy voicing that is both moody and expansive. Standard chord shapes will be completely re-contextualized, encouraging fresh fingerings and a departure from typical voicings. The intervals are spaced in a way that allows for interesting open string drones and melodic movements, particularly when exploring the described "arpeggios between 2 frets 2 frets apart," which would likely involve moving the open chord shape up or down the neck.

Open Chords and Playability:

• Open Chord: Playing all strings open yields an F minor 7sus4 / F minor 11 chord (F-G#-A#-C-D#-F or F-Ab-Bb-C-Eb-F). This provides an immediate, complex harmonic starting point.
• Movable Shapes: Barre chords will transform into different voicings of this Fm7sus4/11 chord up the neck. Experiment with moving this open shape to various frets to explore different keys while retaining the tuning's unique harmonic character.
• Arpeggios: The tuning's interval structure is specifically designed for 'nice arpeggios'. Players can experiment with patterns across adjacent strings, utilizing the unique intervals for melodic and harmonic interest, especially when moved consistently across frets.
• Slide Guitar: The open and unconventional nature of the tuning makes it potentially excellent for slide guitar, allowing for smooth transitions between the unique intervals and creating expressive glissandos.

How to Tune:

To achieve the "Beam Me Up Scotty 1" tuning, adjust your guitar strings from standard EADGBe as follows:

• String 6 (Low E): Tune up 1 semitone to F2.
• String 5 (A): Tune up 1 semitone to A#3.
• String 4 (D): Tune up 1 semitone to D#4.
• String 3 (G): Tune down 2 semitones to F3.
• String 2 (B): Tune down 3 semitones to G#4.
• String 1 (High E): Tune down 4 semitones to C4.

Important Note on String Gauges: Please exercise caution when tuning up strings, and be aware that significant changes in pitch can affect string tension and playability. Specifically for String 1, which is tuned down by 4 semitones, a lighter gauge string might be advised to maintain optimal tension and feel. For changes exceeding 4 semitones in either direction (up or down), considering a different gauge string is generally recommended for playability, intonation, and string longevity.