FA#FA#D#G#CF Guitar Tuner
FA#FA#D#G#CF | FB♭FB♭E♭A♭CF 8 String Drop F/Drop A# W/ Low F - Guitar tuning, chords & scales
Tuning Analysis: Low F & A# Octave Drop 8
This unique 8-string guitar tuning, internally referred to as "8 String Drop F/Drop A# w/ low F" and described as an "8 string Drop E variation EAEADGBE up one half step," presents a powerful and deeply resonant sonic landscape. Designed for extended range, it offers a challenging yet rewarding setup for players exploring heavy, experimental, or progressive genres.
Verbal Analysis
The 'Low F & A# Octave Drop 8' tuning is characterized by its exceptionally deep low end and a distinctive sonic profile shaped by its irregular intervals. The presence of F notes at F1, F2, and F4, alongside A# notes at A#2 and A#3, creates a strong harmonic foundation centered around F and A# (B-flat). This provides a rich, dark, and often dissonant texture when strumming open strings, making it ideal for thick, crushing riffs and complex chord voicings. The wide gaps between the lowest strings create a unique challenge and opportunity for sound design, forcing players to be deliberate with their picking and fretting, while the upper strings offer a more familiar, albeit transposed, playing experience.
Technical Analysis
This 8-string tuning features the following notes:
- String 8 (Lowest): F1
- String 7: A#2
- String 6: F2
- String 5: A#3
- String 4: D#4
- String 3: G#4
- String 2: C4
- String 1 (Highest): F4
Interval Analysis:
- String 8 (F1) to String 7 (A#2): A remarkably wide compound Major 6th (22 semitones). This creates a significant sonic leap between the lowest two strings.
- String 7 (A#2) to String 6 (F2): A diminished 5th down (6 semitones). This tritone interval is highly characteristic and adds a stark, dissonant quality.
- String 6 (F2) to String 5 (A#3): Another wide compound Augmented 4th (18 semitones), reinforcing the unconventional spacing.
- String 5 (A#3) to String 4 (D#4): Perfect 4th (5 semitones).
- String 4 (D#4) to String 3 (G#4): Perfect 4th (5 semitones).
- String 3 (G#4) to String 2 (C4): A Major 3rd down (8 semitones down, or 4 semitones up if considered within the same octave as G#3). This breaks the consistent Perfect 4th pattern.
- String 2 (C4) to String 1 (F4): Perfect 4th (5 semitones).
Open Chords and Playability:
- The open tuning is not easily reducible to a single, common chord across all strings due to its highly irregular intervals.
- However, the tuning strongly emphasizes F and A# (B-flat). Open octaves of F are present on Strings 8 (F1), 6 (F2), and 1 (F4), providing a powerful, full F sound. Open octaves of A# are found on Strings 7 (A#2) and 5 (A#3).
- The lowest three strings (F1, A#2, F2) create an F-Bb-F structure that can imply an Fsus4 harmony or a B-flat major chord with an F in the bass (Bb/F).
- The upper five strings (A#3, D#4, G#4, C4, F4) present a sequence of Perfect 4th - Perfect 4th - Major 3rd - Perfect 4th. This pattern, similar to the upper strings of standard guitar tuning, allows for familiar power chord shapes and scale runs starting on A# (B-flat). Barring across these strings will yield various shifted open chords, for example, a barre at the first fret would produce B-E-A-D-F#, a Bsus4-like voicing.
- This tuning is exceptionally well-suited for heavy riffs, providing a foundational low F for djent and progressive metal, and allowing for complex, dissonant harmonies through its unique string intervals.
How to Tune
To achieve the 'Low F & A# Octave Drop 8' tuning, adjust your strings as follows. Please note that for the lowest F1 string, a heavier gauge string is generally recommended to maintain optimal tension and intonation, even with minimal tuning adjustments, due to the extremely low target pitch.
- String 8 (F1): Tune down 1 semitone to F1.
- String 7 (A#2): Tune down 1 semitone to A#2.
- String 6 (F2): Tune up 1 semitone to F2.
- String 5 (A#3): Tune up 1 semitone to A#3.
- String 4 (D#4): Tune up 1 semitone to D#4.
- String 3 (G#4): Tune up 1 semitone to G#4.
- String 2 (C4): Tune up 1 semitone to C4.
- String 1 (F4): Tune up 1 semitone to F4.
String 8 (Lowest): F1
String 7: A#2
String 6: F2
String 5: A#3
String 4: D#4
String 3: G#4
String 2: C4
String 1 (Highest): F4
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Capos for FA#FA#D#G#CF
Capo | Tuning | Name |
---|---|---|
-5 | CFCFA#D#GC | Blessed Be |
-4 | C#F#C#F#BEG#C# | Drop F# 7 String (2021 Erra) Converted? To 8 String? |
-3 | DGDGCFAD | DG Standad |
-2 | D#G#D#G#C#F#A#D# | DropD/G |
-1 | EAEADGBE | Drop E/a 8-string Variation |
0 | FA#FA#D#G#CF | 8 String Drop F/Drop A# W/ Low F |
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Tuning Map
- Fret
- S8
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- F#
- B
- E
- A
- D
- G
- B
- E
- -11
- G
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- A
- D
- G
- C
- F
- A#
- D
- G
- -8
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- B
- E
- A
- D
- G
- C
- E
- A
- -6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -4
- D
- G
- C
- F
- A#
- D#
- G
- C
- -3
- D#
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- E
- A
- D
- G
- C
- F
- A
- D
- -1
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- F#
- B
- E
- A
- D
- G
- B
- E
- 1
- G
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- A
- D
- G
- C
- F
- A#
- D
- G
- 4
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- B
- E
- A
- D
- G
- C
- E
- A
- 6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -1
- -1
- 1
- 1
- 1
- 1
- 1
- 1