FDGC#F#AD Guitar Tuner
FDGC#F#AD | FDGD♭G♭AD F D G C# F# A D (7 String Alternate Tuning) - Guitar tuning, chords & scales
This is a truly unique and deeply expressive 7-string alternate tuning, designed to offer a broad and distinctive tonal palette. As highlighted in its original description, it's a modification of an Alternate F Standard tuning, suggesting a deliberate and creative departure from more conventional setups.
Verbal Analysis
The tuning establishes a profoundly deep foundation with its lowest string tuned to F1, providing a powerful, resonant low-end that can evoke a heavy, driving sound. The subsequent strings (D2, G2) maintain this low register, setting a mood of depth and gravity. However, the tuning then introduces a striking and dramatic leap in pitch to C#4 and F#4 on the middle strings. This creates a bold contrast, potentially offering a bright, almost piercing quality in the mid-range that stands out dramatically against the low bass. The upper strings (A3, D4) then settle into a more familiar higher range, completing a tuning that is both exceptionally grounded and surprisingly soaring. This wide dynamic range makes the tuning exceptionally versatile, suitable for genres requiring both crushing low-end power and shimmering, articulate melodies or chords, pushing the boundaries of what a 7-string can achieve.
Technical Analysis
- Instrument Type: 7-String Guitar.
- Tuning Notes (from lowest to highest string): F1, D2, G2, C#4, F#4, A3, D4.
- Core Characteristics:
- The lowest string (7th) is tuned to an exceptionally deep F1, providing an incredibly heavy and resonant bass foundation. This is a common characteristic of altered 7-string tunings designed for extended low range.
- Strings 6 (D2) and 5 (G2) are tuned down, creating a low, open sound, with a perfect 4th interval between them (D2 to G2).
- A highly unusual and defining feature of this tuning is the significant jump in octave for the 4th string (C#4) and the 3rd string (F#4). These notes are two full octaves higher than what would typically be derived by simply tuning down from standard 7-string pitches (e.g., D3 tuned down 1 semitone would yield C#3, not C#4). This creates a massive intervallic leap from G2 to C#4 (an augmented 4th plus two octaves) and then a perfect 4th from C#4 to F#4. This wide pitch range dramatically expands the harmonic and melodic possibilities but will significantly impact string tension and require careful consideration of string gauges.
- The upper strings (2nd to A3, 1st to D4) are tuned a perfect 4th apart, maintaining a familiar relationship found in the upper register of standard guitar tuning.
- Open Chords & Voicings:
- The full open tuning (F1-D2-G2-C#4-F#4-A3-D4) forms a complex and extremely wide-ranging voicing. While not immediately forming a conventional triad, it presents a rich harmonic palette for experimental, atmospheric, or avant-garde playing styles.
- The F-D-G on the lower strings don't form a common chord, but they can effectively be used as a deep drone or a foundation for extended power chords by adding fretted notes, especially for heavy riffing.
- The significant octave jumps between strings 5, 4, and 3 mean that standard chord shapes will be drastically altered, challenging players to explore entirely new fingerings and voicings. These wide intervals are ideal for creating open, spacious arpeggios that span multiple octaves, offering a piano-like spread on the guitar.
- The presence of D, G, C#, F#, A, D across strings 6 to 1 hints at possibilities around D major or minor tonalities, but with the C# and F# elevated to the 4th octave, traditional voicings are transformed into something much more open, resonant, and unique.
- String Gauge Recommendation: Given the extreme tuning down to F1 on the 7th string (6 semitones below standard B1), a significantly heavier gauge string is highly recommended to maintain adequate tension and prevent string flop. Furthermore, the unusually high C#4 and F#4 on the middle strings will likely require lighter gauges than what is typically found in a standard 7-string set, to prevent excessive tension and potential string breakage, especially if the guitar has a typical scale length. A custom balanced string set is strongly advisable for optimal playability, tone, and intonation across this tuning's exceptionally wide pitch range.
How to Tune Your 7-String Guitar to F D G C# F# A D
This unique tuning involves several significant adjustments from a standard 7-string (B1-E2-A2-D3-G3-B3-E4) setup. Please follow the instructions carefully for each string, tuning from its standard pitch:
- String 7 (Lowest String - F1): Tune down 6 semitones from its standard B1 pitch to F1. Caution: This is a substantial drop (exceeding 4 semitones). A significantly heavier gauge string is strongly advised to maintain proper tension and tone and prevent string flop.
- String 6 (D2): Tune down 2 semitones from its standard E2 pitch to D2.
- String 5 (G2): Tune down 2 semitones from its standard A2 pitch to G2.
- String 4 (C#4): Tune down 1 semitone from its standard D3 pitch to C#4. Note: The target octave of C#4 is two full octaves higher than the C#3 note that would be derived from simply tuning down D3 by one semitone. This creates a very wide range for the tuning and will significantly impact string tension.
- String 3 (F#4): Tune down 1 semitone from its standard G3 pitch to F#4. Note: The target octave of F#4 is two full octaves higher than the F#3 note that would be derived from simply tuning down G3 by one semitone. This is an unusual characteristic that contributes to the tuning's unique sonic landscape.
- String 2 (A3): Tune down 2 semitones from its standard B3 pitch to A3.
- String 1 (Highest String - D4): Tune down 2 semitones from its standard E4 pitch to D4.
Remember to stretch your strings after tuning to help them settle, and always double-check your intonation, especially with such significant changes in string tension and pitch. The substantial octave shifts on strings 3 and 4, along with the very low 7th string, may require adjustments to string gauges for optimal playability and to avoid intonation issues.
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Capos for FDGC#F#AD
| Capo | Tuning | Name |
|---|---|---|
| 0 | FDGC#F#AD | F D G C# F# A D (7 String Alternate Tuning) |
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- B
- E
- A
- D
- G
- B
- E
- -11
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- D
- G
- C
- F
- A#
- D
- G
- -8
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- E
- A
- D
- G
- C
- E
- A
- -6
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- F#
- B
- E
- A
- D
- F#
- B
- -4
- G
- C
- F
- A#
- D#
- G
- C
- -3
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- A
- D
- G
- C
- F
- A
- D
- -1
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- B
- E
- A
- D
- G
- B
- E
- 1
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- D
- G
- C
- F
- A#
- D
- G
- 4
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- E
- A
- D
- G
- C
- E
- A
- 6
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- F#
- B
- E
- A
- D
- F#
- B
- -6
- -2
- -2
- -1
- -1
- -2
- -2
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