FGAECF Guitar Tuner
FGAECF Some Sort Of Tuning - Guitar tuning, chords & scales
This unique guitar tuning transforms your instrument into a vibrant, harmonically rich soundscape. Known as the Open F Major 9th Tuning, it allows the open strings to beautifully resonate as a complete F Major 9th chord, providing a lush and full sound that is perfect for ambient textures, intricate fingerstyle arrangements, or adding depth to your strumming.
Technical Analysis
- Instrument Type: Guitar
- Tuning Name: Open F Major 9th Tuning (based on the original description: "Some sort of tuning")
- Overall Description: This highly unconventional tuning significantly adjusts multiple strings from standard EADGBe to form a complex, extended open chord.
- Open String Notes: F2, G2, A2, E3, C4, F4 (from low E string position to high E string position)
- Open Chord Voicing: The open strings collectively form a rich F Major 9th chord (F-A-C-E-G). The specific voicing from the lowest to highest string is F (root), G (9th), A (3rd), E (Major 7th), C (5th), F (octave root). This arrangement creates a full, expansive harmonic landscape.
Verbal Analysis & Chordal Possibilities
The most striking feature of the Open F Major 9th Tuning is its immediate harmonic richness. Strumming all open strings yields a beautiful, resonant F Major 9th chord, making it an excellent choice for:
- Ambient & Cinematic Music: The dense, full chord provides a perfect foundation for atmospheric soundscapes and film scores.
- Fingerstyle Playing: The unique open voicings offer a wealth of melodic and harmonic opportunities, allowing for intricate arpeggios that shimmer with depth and sophistication.
- Songwriting & Creative Exploration: Achieve a complex and professional sound with minimal effort, encouraging new ideas and breaking away from conventional chord shapes.
Beyond the open chord, the unique intervals between strings facilitate intriguing chord shapes and melodic lines:
- The lowest three strings (F2, G2, A2) form a tight cluster with a distinctive suspended quality. Barre chords or partial barres here will easily yield F, G, or A related voicings with added suspensions or extensions. For example, a barre across these three strings at the first fret would give G-A-B, offering Gsus2 or Gmaj shapes.
- The significant interval jumps from A2 (4th string) to E3 (3rd string) (a Perfect 5th) and E3 (3rd string) to C4 (2nd string) (a Minor 6th) create wide harmonic spaces. This unique spacing means that traditional chord fingerings will be radically altered, inviting players to discover entirely new voicings and lead line possibilities.
- The presence of the root note F at both the lowest (F2) and highest (F4) strings anchors the tuning, providing a strong tonal center and a sparkling, bright top end.
How to Tune
To achieve the Open F Major 9th Tuning from standard EADGBe tuning, follow these precise adjustments:
- String 6 (Low E to F2): Tune up 1 semitone.
- String 5 (A to G2): Tune down 2 semitones.
- String 4 (D to A2): Tune down 5 semitones. Caution: Tuning down 5 semitones is a significant adjustment; for optimal tension and intonation, and to avoid excessive string slack, consider using a lighter gauge string for this particular string. Proceed with care.
- String 3 (G to E3): Tune down 3 semitones.
- String 2 (B to C4): Tune up 1 semitone.
- String 1 (High E to F4): Tune up 1 semitone.
Always tune carefully and verify intonation after making large pitch adjustments.
String 6 (Lowest String): Tuned to F2. This note establishes the fundamental root of the F Major 9th chord, providing a deep, resonant foundation.
String 5: Tuned to G2. Situated a major second above the root, this string introduces the 9th (or 2nd) of the F Major 9th chord, contributing to its rich harmonic complexity.
String 4: Tuned to A2. This string provides the crucial major 3rd of the F Major 9th chord, defining its major quality and creating a harmonious major second interval above the G2.
String 3: Tuned to E3. This note represents the major 7th of the F Major 9th chord, adding a sophisticated, slightly unresolved harmonic tension and sitting a perfect fifth above the A2.
String 2: Tuned to C4. This string offers the perfect 5th of the F Major 9th chord, providing harmonic stability and definition, and is a minor sixth above the E3.
String 1 (Highest String): Tuned to F4. This is the octave root, doubling the lowest F2 and providing a bright, sparkling top-end to the open chord, creating a perfect fourth interval above the C4.
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Capos for FGAECF
| Capo | Tuning | Name |
|---|---|---|
| 0 | FGAECF | Some Sort Of Tuning |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 1
- -2
- -5
- -3
- 1
- 1
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