Verbal Description

The "F# Unison" tuning, a unique creation as described by its originator, offers a distinct and resonant soundscape. Its most prominent feature is the striking unison of F# notes on the G and B strings (now Strings 3 and 2), both tuned to F#4. This creates a powerful, almost drone-like quality in the mid-high range, allowing for rich overtones and sustained melodic possibilities.

The lowest string is raised to F#3, providing a strong bass foundation that complements the higher F# unison. While the A and high E strings remain at their standard pitches, offering familiar anchor points, the D string is significantly dropped to B2, introducing a deep and open minor third below the standard A string. This combination results in an overall darker, rich, and somewhat exotic sonic palette, ripe for exploring open voicings and intricate harmonic textures.

Technical Analysis & Open Chord Possibilities

The open strings are tuned to: F#3 - A2 - B2 - F#4 - F#4 - E4 (from lowest to highest string).

• The central element is the F#4 unison on Strings 3 and 2, which provides a strong tonal center and resonant drone effect, ideal for creating sustained chords or single-note melodies with a rich harmonic backdrop.
• The lower strings (F#3, A2, B2) create interesting harmonic relationships. The combination of B2, F#3, and A2 suggests elements of a B minor 7th chord (missing the 3rd) or an F#sus4.
• An open strum across all strings will yield the notes A, B, E, F#, spread across several octaves. This collection of notes can be interpreted as an F#sus4add2 (F#-B-E-A), a B11 (without the 3rd or 9th) (B-E-F#-A), or a unique voicing of an Amaj7sus2 (A-B-E-F#).
• The strong presence of F# notes (F#3 on the low string, and F#4 unison on middle strings) makes F# power chords and suspended voicings highly accessible and resonant across the fretboard.
• Chords revolving around B minor are easily formed, leveraging B2 on string 4 and the F# notes, with A2 providing a minor 7th. The high E4 could function as an 11th, adding complexity.
• This tuning is conducive to drone-based compositions, fingerstyle arrangements that exploit open string resonance, and exploring modern, atmospheric soundscapes.

How to Tune to F# Unison

To achieve the "F# Unison" tuning from standard EADGBe, follow these instructions for each string:

• String 6 (Low E): Tune up 2 semitones. The target note for this string is F3#.
• String 5 (A): Keep as is; no change (0 semitones). The target note for this string is A2.
• String 4 (D): Tune down 3 semitones. The target note for this string is B2.
• String 3 (G): Tune down 1 semitone. The target note for this string is F4#.
• String 2 (B): Tune down 5 semitones. The target note for this string is F4#. Caution: Tuning down 5 semitones is a significant change. It is highly recommended to consider using a heavier gauge string for optimal tone and string tension, as standard strings may become too slack.
• String 1 (High E): Keep as is; no change (0 semitones). The target note for this string is E4.

Remember to tune carefully and check your intonation after changing tunings, especially with significant string tension alterations.

Here are the notes for each string, from the thickest (lowest pitch) to the thinnest (highest pitch):

• String 6 (Low E): F3#
• String 5 (A): A2
• String 4 (D): B2
• String 3 (G): F4#
• String 2 (B): F4#
• String 1 (High E): E4