F#C#F#C#C#C# Guitar Tuner

F#C#F#C#C#C# | G♭D♭G♭D♭D♭D♭ Outweighted Bullshit - Guitar tuning, chords & scales

Description - Outweighted Bullshit

A big F#5. Similar to DADADD but worse.

Verbal Analysis: Outweighted Bullshit

The Outweighted Bullshit tuning for Guitar is aptly described as "A big F#5." This unique tuning creates an immensely powerful and resonant F#5 chord when all open strings are strummed (F#3 C#4 F#4 C#5 C#5 C#5). It delivers a heavy, droning quality, drawing parallels to other open power chord tunings like DADADD, but with an intensified and distinct character, as hinted by the original description "but worse." This implies a less conventional and potentially more challenging approach to traditional playing, yet incredibly effective for its specific purpose of a massive, open power chord sound.

A defining feature of this tuning is the unison C# notes on the top three strings (C#5 C#5 C#5). This creates an exceptionally dense and harmonically rich texture for the higher register, allowing for thick, layered melodies or strong ringing tones when these strings are played together. The open F#5 chord makes it ideal for heavy riffs, drone music, or atmospheric soundscapes where the open strings serve as a powerful harmonic foundation. Barre chords will naturally transpose this F#5 structure up and down the neck, enabling easy key changes for the inherent power chord voicings.

Technical Analysis: Outweighted Bullshit

This tuning sets the strings to: F#3 (6th string), C#4 (5th string), F#4 (4th string), C#5 (3rd string), C#5 (2nd string), and C#5 (1st string). The precise intervals from the lowest to the highest string are:

6th String (F#3) to 5th String (C#4): Perfect 5th (7 semitones)
5th String (C#4) to 4th String (F#4): Perfect 4th (5 semitones)
4th String (F#4) to 3rd String (C#5): Perfect 5th (7 semitones)
3rd String (C#5) to 2nd String (C#5): Unison (0 semitones)
2nd String (C#5) to 1st String (C#5): Unison (0 semitones)

The full range of the open strings spans from F#3 to C#5, covering two octaves and a perfect fifth. The harmonic foundation is a clear F# power chord (F# as root, C# as perfect 5th), heavily reinforced by the multiple C# notes in the upper register. While traditional chord shapes will likely be unplayable or require significant adaptation, this tuning is perfectly suited for modern, heavy, or experimental music styles that leverage its unique open sonority and the inherent ease of creating power chords across the fretboard.

How to Tune Your Guitar to Outweighted Bullshit

To tune your guitar to Outweighted Bullshit, extreme care is necessary, especially due to the substantial upward tension changes on several strings. For strings experiencing movements of 4 semitones or more, it is highly recommended to use heavier gauge strings to prevent breakage and potential neck damage.

6th String (Low E): Tune up 2 semitones from E to F#3.
5th String (A): Tune up 4 semitones from A to C#4. (⚠ Caution: This is a significant tension increase. A heavier gauge string is advised.)
4th String (D): Tune up 4 semitones from D to F#4. (⚠ Caution: This is a significant tension increase. A heavier gauge string is advised.)
3rd String (G): Tune up 6 semitones from G to C#5. (⚠ Caution: This is a very high tension increase. A much heavier gauge string is strongly recommended to prevent snapping and potential instrument damage.)
2nd String (B): Tune up 2 semitones from B to C#5.
1st String (High E): Tune down 3 semitones from E to C#5. (⚠ Caution: While this reduces tension, a 3-semitone drop is noticeable and may cause slack if not using appropriate string gauge.)

Remember that movements exceeding 4 semitones (either up or down) from standard pitch typically warrant a change in string gauge to ensure both the longevity of your strings and the structural integrity of your instrument.

String 6: F3#

String 5: C4#

String 4: F4#

String 3: C5#

String 2: C5#

String 1: C5#