GBDADF# Guitar Tuner
GBDADF# | GBDADG♭ Facgce Down A Bit - Guitar tuning, chords & scales
Verbal Analysis:
The 'Resonant G/D' tuning is a rich and expansive open tuning designed to offer a full, harmonically layered sound, particularly well-suited for styles requiring deep resonance and drone capabilities. With its foundation in G Major and strong D major elements, it evokes a bright, open character, ideal for fingerstyle, slide guitar, or creating lush soundscapes. The arrangement of notes lends itself to easy melodic exploration and the creation of suspended or modal voicings, offering a distinct alternative to standard tuning. This tuning can sound particularly majestic with a capo, shifting its resonant qualities to different keys.
Technical Analysis:
This tuning, G2-B2-D3-A3-D4-F#5, forms a compelling harmonic structure. The lowest three strings (G2-B2-D3) clearly outline a G Major triad, providing a strong, foundational root. The upper strings (A3-D4-F#5) build upon this, forming a D Major triad (A-D-F#). When strummed open, the full six strings produce a rich, complex sonority that can be interpreted as a G Major chord with an added 9th (A) and a sharpened 11th (F# functioning as a 6th or 13th, making it Gmaj13/D or Gmaj9sus2). More simply, it's a G Major triad combined with a D Major triad, creating a vibrant Gsus2/D or Gmaj7#11-like quality with an open, sustained character. The presence of both G and D major triads makes for an incredibly versatile tuning for melodic improvisation within these harmonic territories.
Easy Chords:
- Open Strum: Produces a rich G-centric chord with D major elements, perfect for an immediate, full sound.
- Barre Chords: By barring across any single fret, you can easily transpose the open tuning's rich chordal structure to different keys, creating parallel harmony. For example, barring the 2nd fret would yield an A-centric chord.
- Two-finger Chords: Simple two-finger shapes can unlock a multitude of minor and dominant seventh chords by altering just a few notes on adjacent strings, maintaining the drone effect of the open strings.
How to Tune:
To achieve the 'Resonant G/D' tuning from standard EADGBe:
- String 6 (Low E): Tune up 3 semitones from E2 to G2. This is a moderate tension increase.
- String 5 (A): Tune up 2 semitones from A2 to B2. This is a moderate tension increase.
- String 4 (D): Keep as is; no change (0 semitones) from D3 to D3.
- String 3 (G): Tune up 2 semitones from G3 to A3. This is a moderate tension increase.
- String 2 (B): Tune up 3 semitones from B3 to D4. This is a moderate tension increase.
- String 1 (High E): Tune up 2 semitones from E4 to F#5. Important Note: The target note F#5 is significantly higher than a typical F#4 (an octave higher). While the provided instruction indicates tuning up 2 semitones, which would normally result in F#4 from E4, reaching F#5 from E4 represents a very large tension increase (+14 semitones total). If your guitar is strung with standard gauge strings, tuning to F#5 may put extreme stress on the string and instrument. A lighter gauge string or professional advice is strongly recommended for this specific string to safely achieve F#5.
General Caution: When tuning any string up more than 4 semitones, or down more than 4 semitones, consider using a different gauge string to ensure proper tension and prevent potential damage to your instrument.
Here are the notes for each string in the 'Resonant G/D' tuning:
String 6: G2
String 5: B2
String 4: D3
String 3: A3
String 2: D4
String 1: F#5
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Capos for GBDADF#
| Capo | Tuning | Name |
|---|---|---|
| -9 | A#DFCFA | Variation 1 |
| -8 | BD#F#C#F#A# | Twinkle Baritone |
| -7 | CEGDGB | TGP |
| -6 | C#FG#D#G#C | Shroomin' Tunin' |
| -5 | DF#AEAC# | Sweet Sounding |
| -4 | D#GA#FA#D | Eb G Bb F Bb D |
| -3 | EG#BF#BD# | Transit |
| -2 | FACGCE | F Major 9 |
| -1 | F#A#C#G#C#F | Twinkles Poop |
| 0 | GBDADF# | Facgce Down A Bit |
| 1 | G#CD#A#D#G | CAPO 3 FACGCE |
| 2 | AC#EBEG# | Facgce 4th Capo |
| 3 | A#DFCFA | A#dfcfa - Facgce Capo 5 |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 3
- 2
- 0
- 2
- 3
- 2
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