GCGCFGC Guitar Tuner
GCGCFGC C Modal Low G - Guitar tuning, chords & scales
Tuning Overview: C Modal Low G
This unique 7-string guitar tuning, aptly named C Modal Low G, offers a deep, resonant sound ideal for a variety of musical styles, from heavy progressive music to ambient soundscapes and intricate fingerstyle. As described, it effectively translates the open, modal feel of DADGAD down a full step, while significantly extending the low end with an additional low G string.
Verbal Analysis
Imagine the expansive sound of DADGAD, but lowered into a more brooding, powerful register, and then augmented with an incredibly deep G bass note. This tuning provides exactly that experience. The overall character is dark, full, and highly resonant, making it perfect for creating atmospheric textures, driving riffs, or supporting a vocalist with a rich harmonic foundation. The prominent lower register makes it particularly compelling for genres that benefit from extended range and sonic depth.
Technical Analysis
The open strings for this 7-string tuning are as follows, from lowest to highest:
- String 7: G1 (Lowest bass string)
- String 6: C2
- String 5: G2
- String 4: C3
- String 3: F3
- String 2: G3
- String 1: C4 (Highest string)
The resultant open tuning of G-C-G-C-F-G-C immediately reveals a powerful C suspended 4th chord (Csus4) with a strong low G octave. The interval structure creates a very modal sound with easily accessible harmonies.
Key intervals observed:
- G1-C2: Perfect 4th
- C2-G2: Perfect 5th
- G2-C3: Perfect 4th
- C3-F3: Perfect 4th
- F3-G3: Major 2nd
- G3-C4: Perfect 4th
This arrangement provides significant harmonic flexibility:
- Open Chords: Strumming all strings produces a rich C suspended 4th chord (C-F-G) with a deep G bass. This chord is neither distinctly major nor minor, offering a versatile modal quality.
- Power Chords: The presence of multiple Gs and Cs across the strings makes forming power chords (root-5th-octave) incredibly simple by barring. For example, barring across the 6th, 5th, and 4th strings (C-G-C) creates a strong C5 power chord.
- Modal Voicings: The consistent 4ths and 5ths, particularly in the lower register (G-C-G-C), make it easy to craft open, ringing modal voicings simply by fretting one or two notes.
- Easy-to-Reach Chords: Shapes that involve skipping strings or barring higher up the fretboard will naturally resolve into interesting harmonic clusters. For example, playing the 6th, 5th, 4th, and 3rd strings (C-G-C-F) open creates a C sus4 without the low G. Moving this shape up or down the neck in parallel allows for easy exploration of different modal tonalities. The G-C-G-C string groups also facilitate easy creation of extended voicings for C and G dominant chords.
How to Tune Your Guitar to C Modal Low G
To achieve the C Modal Low G tuning, you will need to adjust several strings significantly. Please be aware that four of the strings require a substantial drop of 4 semitones. For optimal playability, consistent tension, and to maintain good tone, it is highly recommended to consider using a heavier gauge string set specifically designed for lower tunings or 7-string guitars, especially for these larger drops.
String 7 (G1)
As instructed, please Tune down 4 semitones to reach the target note of G1. This is a considerable drop; using a heavier gauge string is strongly advised to maintain adequate string tension and avoid a 'floppy' feel.
String 6 (C2)
As instructed, please Tune down 4 semitones to reach the target note of C2. Similar to String 7, this is a significant adjustment, and a heavier gauge string will greatly improve playability and tone.
String 5 (G2)
As instructed, please Tune down 2 semitones to reach the target note of G2.
String 4 (C3)
As instructed, please Tune down 2 semitones to reach the target note of C3.
String 3 (F3)
As instructed, please Tune down 2 semitones to reach the target note of F3.
String 2 (G3)
As instructed, please Tune down 4 semitones to reach the target note of G3. Be mindful of this substantial drop; a heavier gauge string is recommended for this position.
String 1 (C4)
As instructed, please Tune down 4 semitones to reach the target note of C4. This is a significant tuning change for the high string, and a heavier gauge string should be considered for optimal performance.
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Capos for GCGCFGC
| Capo | Tuning | Name |
|---|---|---|
| -6 | C#F#C#F#BC#F# | Slashes// C# Tuning |
| -2 | FA#FA#D#FA# | Jack Daniel Teasdale |
| 0 | GCGCFGC | C Modal Low G |
| 1 | G#C#G#C#F#G#C# | Drop G# Alternative Tuning. DADGAD Variation. |
| 2 | ADADGAD | Drop A + DADGAD |
| 4 | BEBEABE | BEBEABE |
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- B
- E
- A
- D
- G
- B
- E
- -11
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- D
- G
- C
- F
- A#
- D
- G
- -8
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- E
- A
- D
- G
- C
- E
- A
- -6
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- F#
- B
- E
- A
- D
- F#
- B
- -4
- G
- C
- F
- A#
- D#
- G
- C
- -3
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- A
- D
- G
- C
- F
- A
- D
- -1
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- B
- E
- A
- D
- G
- B
- E
- 1
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- D
- G
- C
- F
- A#
- D
- G
- 4
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- E
- A
- D
- G
- C
- E
- A
- 6
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- F#
- B
- E
- A
- D
- F#
- B
- -4
- -4
- -2
- -2
- -2
- -4
- -4
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