GDACGCFA#D Guitar Tuner
GDACGCFA#D | GDACGCFB♭D - Guitar tuning, chords & scales
This nine-string tuning, which we've named "Nine-String Deep Drop," plunges your instrument into an incredibly resonant and expansive sonic territory. With most strings tuned significantly lower than standard, it creates an enormous, almost orchestral bottom end, perfect for massive, heavy riffs, ambient soundscapes, or experimental drone music. The wide range of notes, from the sub-bass G0 to the higher D4, offers a unique canvas for creative expression, allowing for complex harmonic structures and deeply textural sounds. It encourages an exploration of open string voicings and wide-interval chords that simply aren't possible in conventional tunings.
Technical Analysis:
- Open Notes: The tuning features the following open notes: G0, D1, A1, C2, G2, C3, F3, A4#, D4.
- Interval Analysis:
- String 9 (G0) to String 8 (D1): Perfect 5th
- String 8 (D1) to String 7 (A1): Perfect 5th
- String 7 (A1) to String 6 (C2): Minor 3rd
- String 6 (C2) to String 5 (G2): Perfect 5th
- String 5 (G2) to String 4 (C3): Perfect 4th
- String 4 (C3) to String 3 (F3): Perfect 4th
- String 3 (F3) to String 2 (A4# / Bb4): Perfect 4th
- String 2 (A4# / Bb4) to String 1 (D4): Major 3rd
- Harmonic Potential: This tuning presents a rich tapestry of low-end intervals. The successive perfect 5ths (G0-D1-A1) provide a powerful, resonant foundation, ideal for deep drones and heavy, open power chords. The subsequent minor 3rd (A1-C2) adds a dark, often melancholic, color. The presence of C, G, F, and A# (Bb) across the middle strings, often separated by perfect 4ths, facilitates the creation of lush, open voicings and allows for accessible power chords. Notably, a G minor triad (G-Bb-D) can be voiced across strings 9, 5, 2, 1 (G0, G2, A4#/Bb4, D4). An F major triad (F-A-C) can be found using F3, A1, C2. The overall sonic character leans towards a deep, almost gothic, sound with significant flexibility for both heavy rhythmic work and expansive atmospheric textures.
- Reachable Chords: Open power chords on the lower strings (G0-D1, D1-A1, C2-G2) will be incredibly impactful. The consistent perfect 4ths (G2-C3, C3-F3, F3-A4#) make it easy to form diatonic harmonies and more complex voicings with minimal finger movement. Barre chords, while possible, will sound immensely thick due to the low register, requiring careful consideration of clarity to avoid muddiness.
Here are the open notes for each of your 9 strings in this "Nine-String Deep Drop" tuning:
- String 9 (Lowest): G0
- String 8: D1
- String 7: A1
- String 6: C2
- String 5: G2
- String 4: C3
- String 3: F3
- String 2: A4# (A sharp, or Bb)
- String 1 (Highest): D4
How to Tune to "Nine-String Deep Drop":
This tuning involves significant adjustments to most strings. Please proceed with caution, especially with the larger downward movements. For strings with movements exceeding -4 semitones (tuning down 4 or more semitones), it is generally advised to consider a different gauge string for optimal tension and playability.
- String 9 (Lowest): Tune down 6 semitones to reach G0. (Note: This is a substantial change; a heavier gauge string is strongly recommended for optimal tension.)
- String 8: Tune down 4 semitones to reach D1. (Note: A movement of 4 semitones down is significant; consider a heavier gauge string.)
- String 7: Tune down 2 semitones to reach A1.
- String 6: Tune down 4 semitones to reach C2. (Note: A movement of 4 semitones down is significant; consider a heavier gauge string.)
- String 5: Tune down 2 semitones to reach G2.
- String 4: Tune down 2 semitones to reach C3.
- String 3: Tune down 2 semitones to reach F3.
- String 2: Tune down 1 semitones to reach A4#.
- String 1 (Highest): Tune down 2 semitones to reach D4.
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Capos for GDACGCFA#D
Capo | Tuning | Name |
---|---|---|
0 | GDACGCFA#D |
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Tuning Map
- Fret
- S9
- S8
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- C
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- C#
- F#
- B
- E
- A
- D
- G
- B
- E
- -11
- D
- G
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- D#
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- E
- A
- D
- G
- C
- F
- A#
- D
- G
- -8
- F
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- F#
- B
- E
- A
- D
- G
- C
- E
- A
- -6
- G
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- G#
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -4
- A
- D
- G
- C
- F
- A#
- D#
- G
- C
- -3
- A#
- D#
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- B
- E
- A
- D
- G
- C
- F
- A
- D
- -1
- C
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- C#
- F#
- B
- E
- A
- D
- G
- B
- E
- 1
- D
- G
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- D#
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- E
- A
- D
- G
- C
- F
- A#
- D
- G
- 4
- F
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- F#
- B
- E
- A
- D
- G
- C
- E
- A
- 6
- G
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- G#
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -6
- -4
- -2
- -4
- -2
- -2
- -2
- -1
- -2