GDADF#A Guitar Tuner
GDADF#A | GDADG♭A Open Gmaj7(add9) Tuning - Guitar tuning, chords & scales
Verbal Analysis:
This unique tuning, which we've named Open Gmaj7(add9) Tuning, transforms your guitar into a resonant soundscape. With its open strings set to G-D-A-D-F#-A, it immediately presents a rich and sophisticated G major 7th chord with an added 9th (A). The overall feel is expansive and harmonically complex, offering a bright and full sound perfect for intricate fingerstyle, jazz-influenced compositions, or adding a distinctive texture to acoustic pieces. The arrangement of notes, particularly the high F5# on the second string, creates interesting voicing possibilities and a shimmering quality when strummed. This tuning encourages exploration beyond standard chord shapes, making it intuitive to discover new melodic and harmonic ideas simply by barring across the frets. It offers a unique tonal color that can inspire new melodic and harmonic ideas.
Technical Analysis:
The tuning notes for the guitar are G2, D3, A3, D3, F5#, and A4, from the lowest (6th) string to the highest (1st) string. The harmonic structure of the open strings explicitly forms a Gmaj7(add9) chord. Let's break down the intervals:
- G (Root): Provided by the 6th string (G2), establishing the tonic.
- D (Perfect 5th): Present on the 5th (D3) and 3rd (D3) strings, providing a strong and stable harmonic foundation.
- A (Major 9th/2nd): Featured on the 4th (A3) and 1st (A4) strings, adding a bright, open, and extended harmonic dimension.
- F# (Major 7th): On the 2nd string (F5#), providing the characteristic major 7th tension and a unique high voicing.
How to Tune:
Please exercise extreme caution when performing these tuning adjustments, especially for strings requiring movements greater than 4 semitones up or down. For these significant changes, we strongly advise considering a different string gauge to prevent breakage, ensure optimal playability, and protect your instrument.
- String 6 (Low E to G2): Tune up 3 semitones to G2. This is a moderate adjustment from standard E2 tuning.
- String 5 (A to D3): Tune up 5 semitones to D3. ⚠ Caution: Tuning up 5 semitones is a significant adjustment. A heavier gauge string for this position is advised to maintain tension and prevent breakage.
- String 4 (D to A3): Tune up 7 semitones to A3. ⚠ Warning: Tuning up 7 semitones is a very substantial change. This string will be under extremely high tension. A much heavier gauge string is strongly recommended to avoid breakage and potential damage to your instrument's neck.
- String 3 (G to D3): Tune down 5 semitones to D3. ⚠ Caution: Tuning down 5 semitones is a significant adjustment. The string may become quite loose, potentially causing intonation issues and a 'flappy' feel. A lighter gauge string for this position may be beneficial for better tension.
- String 2 (B to F5#): Tune up 7 semitones to F5#. ⚠ Extreme Warning: Tuning up 7 semitones to reach F5# is an exceptionally high pitch for a standard guitar's second string. F5# is over an octave higher than a typical high E string. This will place immense and likely unsustainable stress on the string and potentially the guitar neck. It is highly probable that a custom, extremely heavy gauge string specifically designed for this pitch, or even a specialized instrument setup, is required. Attempting this with a standard string gauge will almost certainly result in string breakage and could cause severe damage to your instrument. Please proceed with extreme caution or consult a professional luthier before attempting this adjustment.
- String 1 (High E to A4): Tune up 5 semitones to A4. ⚠ Caution: Tuning up 5 semitones is a significant adjustment. A heavier gauge string for this position is advised to ensure stability and prevent breakage.
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Capos for GDADF#A
Capo | Tuning | Name |
---|---|---|
0 | GDADF#A | Open Gmaj7(add9) Tuning |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 3
- 5
- 7
- -5
- 7
- 5