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GDADF#A Guitar Tuner

GDADF#A | GDADG♭A Open Gmaj7(add9) Tuning - Guitar tuning, chords & scales

Description - Open Gmaj7(add9) Tuning

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Verbal Analysis:

This unique tuning, which we've named Open Gmaj7(add9) Tuning, transforms your guitar into a resonant soundscape. With its open strings set to G-D-A-D-F#-A, it immediately presents a rich and sophisticated G major 7th chord with an added 9th (A). The overall feel is expansive and harmonically complex, offering a bright and full sound perfect for intricate fingerstyle, jazz-influenced compositions, or adding a distinctive texture to acoustic pieces. The arrangement of notes, particularly the high F5# on the second string, creates interesting voicing possibilities and a shimmering quality when strummed. This tuning encourages exploration beyond standard chord shapes, making it intuitive to discover new melodic and harmonic ideas simply by barring across the frets. It offers a unique tonal color that can inspire new melodic and harmonic ideas.

Technical Analysis:

The tuning notes for the guitar are G2, D3, A3, D3, F5#, and A4, from the lowest (6th) string to the highest (1st) string. The harmonic structure of the open strings explicitly forms a Gmaj7(add9) chord. Let's break down the intervals:

  • G (Root): Provided by the 6th string (G2), establishing the tonic.
  • D (Perfect 5th): Present on the 5th (D3) and 3rd (D3) strings, providing a strong and stable harmonic foundation.
  • A (Major 9th/2nd): Featured on the 4th (A3) and 1st (A4) strings, adding a bright, open, and extended harmonic dimension.
  • F# (Major 7th): On the 2nd string (F5#), providing the characteristic major 7th tension and a unique high voicing.
The F5# on the 2nd string is an exceptionally high pitch for a guitar, being two full octaves above a standard F#3, or a major second above a high E5. This pitch, combined with the significant upward tuning required for this string, indicates that it will be under extreme tension. This could lead to potential string breakage or neck stress if not handled with appropriate, often custom, string gauges and guitar setup. Despite this, the tuning offers a clear palette for Gmaj7(add9) and related voicings, making open string chords highly resonant. Barring across a single fret will logically produce other maj7(add9) chords; for example, barring at the 5th fret yields a Cmaj7(add9) voicing (C-G-D-G-B-D). This makes complex chords easily accessible and provides a full, rich sound ideal for accompaniment or lead melodic work.



How to Tune:

Please exercise extreme caution when performing these tuning adjustments, especially for strings requiring movements greater than 4 semitones up or down. For these significant changes, we strongly advise considering a different string gauge to prevent breakage, ensure optimal playability, and protect your instrument.

  • String 6 (Low E to G2): Tune up 3 semitones to G2. This is a moderate adjustment from standard E2 tuning.
  • String 5 (A to D3): Tune up 5 semitones to D3. ⚠ Caution: Tuning up 5 semitones is a significant adjustment. A heavier gauge string for this position is advised to maintain tension and prevent breakage.
  • String 4 (D to A3): Tune up 7 semitones to A3. ⚠ Warning: Tuning up 7 semitones is a very substantial change. This string will be under extremely high tension. A much heavier gauge string is strongly recommended to avoid breakage and potential damage to your instrument's neck.
  • String 3 (G to D3): Tune down 5 semitones to D3. ⚠ Caution: Tuning down 5 semitones is a significant adjustment. The string may become quite loose, potentially causing intonation issues and a 'flappy' feel. A lighter gauge string for this position may be beneficial for better tension.
  • String 2 (B to F5#): Tune up 7 semitones to F5#. ⚠ Extreme Warning: Tuning up 7 semitones to reach F5# is an exceptionally high pitch for a standard guitar's second string. F5# is over an octave higher than a typical high E string. This will place immense and likely unsustainable stress on the string and potentially the guitar neck. It is highly probable that a custom, extremely heavy gauge string specifically designed for this pitch, or even a specialized instrument setup, is required. Attempting this with a standard string gauge will almost certainly result in string breakage and could cause severe damage to your instrument. Please proceed with extreme caution or consult a professional luthier before attempting this adjustment.
  • String 1 (High E to A4): Tune up 5 semitones to A4. ⚠ Caution: Tuning up 5 semitones is a significant adjustment. A heavier gauge string for this position is advised to ensure stability and prevent breakage.

G
D
A
D
F#
A

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Original Variation 1

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Capos for GDADF#A

Capo Tuning Name
0 GDADF#A Open Gmaj7(add9) Tuning

Scales for GDADF#A

A A# B C C# D

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Release:
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A 6

  • G3
  • A3
  • C4#
  • D4
  • E4
  • F4#
  • A4
  • A4
  • C5#
  • E5
  • D4
  • E4
  • F4#
  • A4
  • F5#
  • A5
  • C6#
  • A5
  • C6#
  • E6
Play
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3
4
5
6
7

D Sus 2

  • G3
  • A3
  • D4
  • D4
  • E4
  • A4
  • A4
  • D5
  • E5
  • D4
  • E4
  • A4
  • F5#
  • A5
  • A5
  • D6
  • E6
Play
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2
3
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5
6
7

G Major

  • G3
  • B3
  • D4
  • D4
  • G4
  • A4
  • B4
  • D5
  • D4
  • G4
  • F5#
  • G5
  • B5
  • A5
  • B5
  • D6
Play
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7

G Major 7

  • G3
  • B3
  • D4
  • D4
  • F4#
  • G4
  • A4
  • B4
  • D5
  • D4
  • F4#
  • G4
  • F5#
  • G5
  • B5
  • A5
  • B5
  • D6
Play
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F# Minor

  • G3
  • A3
  • C4#
  • D4
  • F4#
  • A4
  • A4
  • C5#
  • D4
  • F4#
  • A4
  • F5#
  • A5
  • C6#
  • A5
  • C6#
Play
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