G#A#C#D#C#D# Guitar Tuner
G#A#C#D#C#D# | A♭B♭D♭E♭D♭E♭ G# A# C# D# C# D# - Guitar tuning, chords & scales
Tuning Analysis: G# Sus2/4 Open Tuning
This unique open tuning, which we've named G# Sus2/4 Open Tuning, offers a rich, resonant soundscape dominated by suspended harmonies. The open strings immediately present a G#sus2sus4 chord, creating an ethereal and expansive harmonic foundation. It's an excellent choice for ambient soundscapes, drone-based compositions, and any musical context seeking a distinctive, non-traditional tonality. The clustered lower strings provide a thick, harmonically complex bed, while the higher strings reinforce key intervals, allowing for ringing melodies and nuanced voicings. This tuning encourages players to explore beyond conventional major/minor chord shapes, fostering unique fingerings and melodic ideas that highlight its open, modal character.
Technical Observations:
- Open String Chord: The open strings ring out a G#sus2sus4 chord, specifically voiced as G# (Root) - A# (Major 2nd) - C# (Perfect 4th) - D# (Perfect 5th) - C# (Octave 4th) - D# (Octave 5th).
- Interval Structure: From the low G# (6th string), the intervals are: Root (G#), Major 2nd (A#), Perfect 4th (C#), Perfect 5th (D#), an octave higher Perfect 4th (C#), and an octave higher Perfect 5th (D#).
- Voicing & Harmony: The lower four strings (G#-A#-C#-D#) create a dense G#sus2(add4) cluster, providing a strong, unresolved quality. The higher C# and D# beautifully reinforce the perfect fourth and fifth, adding a bright, shimmering top end that extends the harmonic series and power chord feel.
- Chordal Potential: While the open tuning is a G#sus2sus4, moving this shape up the fretboard allows for quick transposition of this unique voicing (e.g., A#sus2sus4 at the 1st fret, B#sus2sus4 at the 2nd fret, etc.). The specific intervalic relationships, particularly the tight clustering of the 2nd and 4th, invite exploration of melodic lines that play with tension and resolution, and make easy access to suspended and power chords. Simple barre chords across the frets will yield harmonically rich voicings.
How to Tune Your Guitar:
Please be cautious when adjusting string tension, especially for large semitone changes. Always check your string gauge if you plan to use this tuning regularly. String movements exceeding 4 semitones up or down often benefit from a change in string gauge to maintain optimal tension and instrument health.
- String 6 (Lowest String): Tune up 4 semitones to G3#. Caution: This is a significant increase in tension. A heavier gauge string may be advisable.
- String 5: Tune up 1 semitone to A3#.
- String 4: Tune down 1 semitone to C4#.
- String 3: Tune down 4 semitones to D4#. Caution: This is a significant decrease in tension. A lighter gauge string may be advisable.
- String 2: Tune up 2 semitones to C5#.
- String 1 (Highest String): Tune down 1 semitone to D5#.
String 6 (Lowest): Tuned to G3#. This provides the deep, fundamental G# root for the open tuning, setting a powerful base.
String 5: Tuned to A3#. A major second above the root, adding a distinctive suspended quality to the open chord, creating tension and color.
String 4: Tuned to C4#. A perfect fourth above the root, contributing to the open, resonant, and often unresolved character of the tuning.
String 3: Tuned to D4#. A perfect fifth above the root, adding harmonic stability and a powerful resonance to the open voicing.
String 2: Tuned to C5#. An octave higher perfect fourth, reinforcing the open chord with a brighter, shimmering voicing that complements the lower strings.
String 1 (Highest): Tuned to D5#. An octave higher perfect fifth, completing the upper harmonic sheen and extending the full, resonant power chord feel of the tuning.
Comments - have your say on G#A#C#D#C#D#
Capos for G#A#C#D#C#D#
| Capo | Tuning | Name |
|---|---|---|
| 0 | G#A#C#D#C#D# | G# A# C# D# C# D# |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 4
- 1
- -1
- -4
- 2
- -1
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