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G#C#F#BEAD Guitar Tuner

G#C#F#BEAD | A♭D♭G♭BEAD G#C#F#BEAD - Guitar tuning, chords & scales

Description - G#C#F#BEAD

Every fifth fret is the next strings open note.

Ascendant Seventh Tuning: A High-Tension, Distinctive Voice

This is an exceptionally bright and high-tension tuning designed for a 7-string guitar. We've named it the "Ascendant Seventh Tuning" due to the significant upward pitch shift applied to every string, creating a sonic landscape that is considerably higher than standard tunings. It offers a unique and piercing voice, capable of shimmering textures and modern voicings, but also demands careful consideration regarding string tension and guitar setup.

Technical Analysis

The core of this tuning, as defined by the provided data, places the 7-string guitar in the following open notes, from lowest to highest: G#2, C#3, F#3, B2, E3, A3, D4. Let's break down its interval structure:

  • String 7 (G#2) to String 6 (C#3): A Perfect Fourth (up 5 semitones).
  • String 6 (C#3) to String 5 (F#3): A Perfect Fourth (up 5 semitones).
  • String 5 (F#3) to String 4 (B2): A Major Sixth Down (equivalent to 7 semitones down from F#3, or a compound major second if viewed ascendingly across an octave). This is a significant drop in pitch and a notable break from the preceding perfect fourths.
  • String 4 (B2) to String 3 (E3): A Perfect Fourth (up 5 semitones).
  • String 3 (E3) to String 2 (A3): A Perfect Fourth (up 5 semitones).
  • String 2 (A3) to String 1 (D4): A Perfect Fourth (up 5 semitones).

While the tuning's original description mentions "Every fifth fret is the next strings open note," which is characteristic of an "All Fourths" tuning, this is not entirely accurate across all strings due to the large descending interval between String 5 (F#3) and String 4 (B2). This unique blend of perfect fourths with a significant descending interval creates distinct sections on the fretboard, offering both consistency in some areas and requiring specific adaptations in others.

All seven strings are uniformly tuned up by 7 semitones (a perfect fifth) from their implied starting positions. This is an extremely substantial increase in pitch and tension for all strings.

Open Chord Voicings & Playability

The open strings (G#2, C#3, F#3, B2, E3, A3, D4) themselves do not form a simple consonant major or minor chord. Instead, they produce a rich, somewhat dissonant cluster that is well-suited for modern, jazz, or experimental compositions. For players, the "All Fourths" sections (strings 7-5 and 4-1) will feel familiar for movable chord and scale shapes within those segments. However, the substantial drop in pitch between String 5 and String 4 will require specific fingerings or open string voicings to navigate, offering unique possibilities but also demanding new approaches to familiar shapes.

Important Note on String Gauging

Tuning all strings up by 7 semitones (a perfect fifth) represents a very significant increase in string tension. It is highly recommended to use a significantly lighter gauge string set than you would typically use for standard tuning on a 7-string guitar. Tuning up by more than 4 semitones generally necessitates a different string gauge to maintain playability and safety. Failure to do so could lead to excessive neck tension, potential damage to the guitar's neck, bridge, or nut, and frequent string breakage. Always consult with a qualified luthier if you are unsure about the appropriate string gauge or if your guitar requires setup adjustments for such extreme tension changes.



Open String Notes

The open notes for the Ascendant Seventh Tuning are as follows, from the lowest (thickest) string to the highest (thinnest):

  • String 7 (Low String): G#2
  • String 6: C#3
  • String 5: F#3
  • String 4: B2
  • String 3: E3
  • String 2: A3
  • String 1 (High String): D4

How to Tune (From a tuning 7 semitones lower)

To achieve the Ascendant Seventh Tuning, each string must be tuned up by 7 semitones from its original position. Please proceed with extreme caution due to the significant increase in string tension. It is strongly advised to use a significantly lighter gauge string set for this tuning.

  • String 7 (Low String): Tune this string up 7 semitones to G#2.
  • String 6: Tune this string up 7 semitones to C#3.
  • String 5: Tune this string up 7 semitones to F#3.
  • String 4: Tune this string up 7 semitones to B2.
  • String 3: Tune this string up 7 semitones to E3.
  • String 2: Tune this string up 7 semitones to A3.
  • String 1 (High String): Tune this string up 7 semitones to D4.

If your guitar is currently in a standard 7-string tuning (e.g., B-E-A-D-G-B-E), tuning to these notes will place immense stress on the instrument. Lighter gauge strings are strongly advised, and a professional setup may be necessary to ensure the guitar's stability and playability.

G#
C#
F#
B
E
A
D

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Capos for G#C#F#BEAD

Capo Tuning Name
0 G#C#F#BEAD G#C#F#BEAD

Scales for G#C#F#BEAD

A A# B C C# D

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