G#D#BF#C#G# Guitar Tuner
G#D#BF#C#G# | A♭E♭BG♭D♭A♭ G# D# B F# C# G# - Guitar tuning, chords & scales
Tuning Overview: G# Mirror Prime
Step into a world of deep resonance and unique harmonic possibilities with the G# Mirror Prime tuning. This intriguing setup, derived from Senchant's innovative Mirror Tuning® variations, is specifically designed for 24.75" scale length steel string guitars. As the second lowest in its series, it's crafted to inspire new sonic textures, perfect for experimental, ambient, or heavy genres. You can find more information about these tunings at senchant.com/mirror-tuning/.
Verbal Analysis
The G# Mirror Prime tuning provides a rich, dark soundscape, grounded by a powerful G# drone on both the lowest (6th) and highest (1st) strings. This symmetrical bookending creates an expansive sonic foundation. The tuning features a compelling blend of tight perfect fifths and surprisingly wider intervals, offering a palette for both robust, driving riffs and ethereal, open voicings. The significant drop on the 4th string and the subsequent large leap to the 3rd string creates a distinct separation in the mid-range, inviting players to explore unique chord voicings and melodic contours that standard tunings simply cannot achieve. It's a tuning that rewards exploration and a willingness to break traditional fretboard patterns.
Technical Analysis
- Instrument Type: Guitar
- Tuning Notes: G#2 D#3 B2 F#4 C#5 G#5
-
Interval Structure (from low to high string):
- 6th to 5th (G#2 to D#3): Perfect 5th (+7 semitones)
- 5th to 4th (D#3 to B2): Descending Minor 6th (-9 semitones)
- 4th to 3rd (B2 to F#4): Perfect 5th + Octave (+19 semitones). This creates a very wide, open gap between these two strings.
- 3rd to 2nd (F#4 to C#5): Perfect 5th (+7 semitones)
- 2nd to 1st (C#5 to G#5): Perfect 5th (+7 semitones)
-
Open Chord Voicings & Harmonic Potential:
The open G#2 D#3 B2 F#4 C#5 G#5 tuning doesn't immediately form a standard major or minor triad, making it ripe for unconventional harmony. The prevalence of Perfect 5ths, particularly on the higher strings and between the 6th and 5th, makes this tuning exceptional for powerful, resonant open-string drones and accessible power chords. The G# drone at both ends is a defining characteristic. The B2 on the 4th string, combined with the other notes, hints at suspended chords or extended voicings in the key of G#, C#, or B, depending on the bass note. The large interval between the 4th and 3rd strings can be utilized for striking, sparse voicings or to create a distinct separation between lower and higher melodic lines.
-
Chords Within Reach:
Players will find that open-string power chords on the G#-D#-B-F#-C#-G# structure are readily available, especially utilizing the 6-5, 3-2, and 2-1 string sets. The symmetrical G# on the low and high E strings provides a fantastic foundation for drone-based music. Simple two and three-finger shapes can yield rich suspended or add-note chords. For instance, fretting the 4th string (B2) at the 2nd fret (C#3) creates a C# minor sound with the surrounding G#s and C#5. The distinct intervals encourage a fresh approach to the fretboard, favoring unique inversions and modal explorations over traditional barre chords. This tuning is particularly well-suited for genres like doom metal, post-rock, or experimental soundscapes where atmosphere and drone are key.
How to Tune Your Guitar to G# Mirror Prime
To achieve the G# Mirror Prime tuning, carefully adjust each string from standard EADGBe tuning according to the following instructions. Please proceed with caution, especially when tuning strings significantly up or down, as this can affect string tension and potentially require a change in string gauge for optimal performance and guitar health.
- 6th String (Low E): Tune down 8 semitones to G#2. (Note: Tuning down 8 semitones is a significant change. Consider a heavier gauge string for optimal tension and tone.)
- 5th String (A): Tune down 6 semitones to D#3. (Note: Tuning down 6 semitones is a significant change. Consider a heavier gauge string for optimal tension and tone.)
- 4th String (D): Tune down 3 semitones to B2.
- 3rd String (G): Tune down 1 semitones to F#4.
- 2nd String (B): Tune up 2 semitones to C#5.
- 1st String (High E): Tune up 4 semitones to G#5. (Note: Tuning up 4 semitones is a significant change. Consider a lighter gauge string to avoid excessive tension and potential string breakage.)
6th String: G#2
5th String: D#3
4th String: B2
3rd String: F#4
2nd String: C#5
1st String: G#5
Comments - have your say on G#D#BF#C#G#
Capos for G#D#BF#C#G#
Capo | Tuning | Name |
---|---|---|
-5 | D#A#F#C#G#D# | Raining Blood |
-4 | EBGDAE | Deep Extension |
-2 | F#C#AEBF# | F#C#AEBF# |
-1 | GDA#FCG | GDBbFCG |
0 | G#D#BF#C#G# | G# D# B F# C# G# |
1 | AECGDA | A Reverse Standard |
2 | A#FC#G#D#A# | Bb F Db Ab Eb Bb |
3 | BF#DAEB | BF#DAEB |
More G#D#BF#C#G# Resources
Loading an obscene
amount of Chords
Loading an obscene
amount of Scales
Songs tuned to G#D#BF#C#G#
Artist | Song | Album | Tab |
---|---|---|---|
Into It Over It | Where Your Nights Often End | View Tab |
Please use the below form to submit a song for G#D#BF#C#G# that is not already on gtdb.org.
Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -8
- -6
- -3
- -1
- 2
- 4