G#D#F#BD#G# Guitar Tuner
G#D#F#BD#G# | A♭E♭G♭BE♭A♭ G# Baritone Tuning - Guitar tuning, chords & scales
The "G# Baritone Tuning" is specifically designed for a 6-string baritone guitar, offering a deep and resonant sonic landscape. As described, it's a unique and powerful setup!
Verbal Analysis
This tuning plunges your guitar into extremely low registers, delivering a thick, dark, and powerful sound. It's perfectly suited for genres like metal, doom, hard rock, and industrial music where a heavy, authoritative presence is desired. The unique re-entrant nature of the 3rd string (tuned to B2, which is lower than the 6th string's G#2) adds an intriguing complexity, allowing for distinctive voicings and drone possibilities that can create a vast, atmospheric, or even dissonant texture. Despite its low pitch, the open strings collectively form a complete G# minor 7th chord, making it surprisingly musical and inspiring for creating dark, rich harmonies or simple, powerful chordal movements.
Technical Analysis
This tuning transforms the standard E-A-D-G-B-E configuration to:
- 6th String (Low E): G2#
- 5th String (A): D3#
- 4th String (D): F3#
- 3rd String (G): B2 (Re-entrant - this string is tuned lower than the 6th, 5th, and 4th strings)
- 2nd String (B): D4#
- 1st String (High E): G4#
The open strings G#2, D#3, F#3, B2, D#4, G#4 collectively spell out a G# Minor 7 (G#m7) chord (G# - B - D# - F#). This means a full G#m7 chord is instantly accessible by strumming all open strings. The intervals from the lowest G# (6th string) are:
- 6th String (G#2): Root
- 5th String (D#3): Perfect 5th
- 4th String (F#3): Minor 7th
- 3rd String (B2): Minor 3rd (re-entrant, B2 is lower than G#2)
- 2nd String (D#4): Octave of Perfect 5th
- 1st String (G4#): Octave of Root
This configuration makes power chords exceptionally easy to form, especially G#5 by barring strings 6 and 5, with the 1st string providing an octave root. Other minor chords and minor 7th voicings will also be highly intuitive, leveraging the inherent G#m7 structure. The re-entrant B string offers creative possibilities for arpeggios and unique drone effects. Due to the extreme down-tuning across all strings, using a heavier gauge string set is strongly recommended to maintain proper string tension and intonation, ensuring the best playability and tone.
Target Notes
Tune your 6-string baritone guitar to the following notes, from thickest (6th) to thinnest (1st) string:
- 6th String: G2#
- 5th String: D3#
- 4th String: F3#
- 3rd String: B2
- 2nd String: D4#
- 1st String: G4#
How to Tune
Based on the provided string movement data, here are the required adjustments for each string:
- 6th String (Low E): Tune down 8 semitones to G2#. Caution: Tuning down 8 semitones is a very significant change. A different gauge string is strongly advised for optimal playability, to prevent excessive string floppiness, and to maintain intonation.
- 5th String (A): Tune down 6 semitones to D3#. Caution: Tuning down 6 semitones is a significant change. A different gauge string is advised for better tension and tone.
- 4th String (D): Tune down 8 semitones to F3#. Caution: Tuning down 8 semitones is a very significant change. A different gauge string is strongly advised for optimal playability and intonation.
- 3rd String (G): Tune down 8 semitones to B2. Caution: Tuning down 8 semitones is a very significant change. A different gauge string is strongly advised for optimal playability and intonation. Note the re-entrant nature of this string.
- 2nd String (B): Tune down 8 semitones to D4#. Caution: Tuning down 8 semitones is a very significant change. A different gauge string is strongly advised for optimal playability and intonation.
- 1st String (High E): Tune down 8 semitones to G4#. Caution: Tuning down 8 semitones is a very significant change. A different gauge string is strongly advised for optimal playability and intonation.
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Capos for G#D#F#BD#G#
Capo | Tuning | Name |
---|---|---|
0 | G#D#F#BD#G# | G# Baritone Tuning |
3 | BF#ADF#B | Antoine Dufour Reality |
4 | CGA#D#GC | Ben Howard Small Things |
5 | C#G#BEG#C# | Sprout And The Bean |
6 | DACFAD | No Idea |
7 | D#A#C#F#A#D# | D# A# C# F# A# D# |
8 | EBDGBE | E-7 |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -8
- -6
- -8
- -8
- -8
- -8