G#D#G#C#F#A#D# Guitar Tuner
G#D#G#C#F#A#D# | A♭E♭A♭D♭G♭B♭E♭ Drop G# 7-string - Guitar tuning, chords & scales
The Deep Roar: Drop G# 7-String Tuning
This tuning is a powerhouse for modern heavy music, specifically tailored for 7-string guitars. As described in the original definition, it’s fundamentally "half a step down from standard 7-string tuning, with the lowest string dropped another whole step down." Verbally, this translates to a profoundly low and dark sound, perfect for chugging riffs, expansive sonic textures, and a formidable rhythmic foundation. The 'drop' configuration on the lowest string makes powerful, single-finger bar chords effortless, fostering speed and aggression in your playing.
Technical Analysis:
The open string notes for this tuning are: G#2 D#3 G#3 C#4 F#4 A#4 D#5. When compared to standard 7-string tuning (B2 E3 A3 D4 G4 B4 E5), every string is tuned down. Specifically:
- The 7th string is tuned down 3 semitones (a minor third) from B2 to G#2.
- Strings 1 through 6 are all tuned down 1 semitones (a half step) from their standard positions (E3 to D#3, A3 to G#3, D4 to C#4, G4 to F#4, B4 to A#4, E5 to D#5).
The interval structure between the open strings is designed for maximum impact in low tunings:
- String 7 (G#2) to String 6 (D#3): A Perfect 5th (7 semitones). This creates the characteristic "drop" interval, making instant power chords accessible on the lowest strings.
- String 6 (D#3) to String 5 (G#3): A Perfect 4th (5 semitones).
- String 5 (G#3) to String 4 (C#4): A Perfect 4th (5 semitones).
- String 4 (C#4) to String 3 (F#4): A Perfect 4th (5 semitones).
- String 3 (F#4) to String 2 (A#4): A Major 3rd (4 semitones).
- String 2 (A#4) to String 1 (D#5): A Perfect 4th (5 semitones).
Open String Chords & Voicings:
This tuning doesn't naturally present a conventional open chord across all seven strings, but it excels in facilitating powerful voicings, especially in rock and metal contexts:
- G# Power Chord (G#5): By strumming the lowest three strings open (G#2, D#3, G#3), you get an immediate and resonant G#5 power chord. This shape can be easily shifted up and down the neck for other root power chords by simply barring these three strings.
- Root-Fifth Power Chords: The G#-D# interval on strings 7 and 6 means that single-finger barring across these two strings instantly creates a root-fifth power chord. This is a core feature of "drop" tunings, simplifying the execution of heavy riffs.
- Extended Low-End Voicings: The full span of this tuning, reaching down to G#2, allows for incredibly dense and heavy low-register chords and riffs, often utilizing dissonant intervals for modern metal sounds.
How to Tune Your Guitar:
To achieve the 'Drop G# 7-String' tuning, begin by ensuring your guitar is in standard 7-string tuning (B2 E3 A3 D4 G4 B4 E5). Then, proceed with the following adjustments. Always tune carefully and verify intonation, especially with significant changes.
- String 7 (Lowest, B2 Standard): Tune down 3 semitones to G2#.
- String 6 (E3 Standard): Tune down 1 semitones to D3#.
- String 5 (A3 Standard): Tune down 1 semitones to G3#.
- String 4 (D4 Standard): Tune down 1 semitones to C4#.
- String 3 (G4 Standard): Tune down 1 semitones to F4#.
- String 2 (B4 Standard): Tune down 1 semitones to A4#.
- String 1 (Highest, E5 Standard): Tune down 1 semitones to D5#.
Important Note on String Gauge: For tunings as low as Drop G#, a heavier gauge string set is highly recommended for optimal string tension, intonation stability, and tone. While individual string movements here mostly fall within typical adjustment ranges (only -3 semitones being the largest individual drop), the overall low pitch of the tuning will benefit greatly from appropriate string gauges to prevent floppiness and maintain clarity.
String 7 (Lowest): G2#
String 6: D3#
String 5: G3#
String 4: C4#
String 3: F4#
String 2: A4#
String 1 (Highest): D5#
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Capos for G#D#G#C#F#A#D#
| Capo | Tuning | Name |
|---|---|---|
| -8 | CGCFA#DG | Allt Drop C |
| -7 | C#G#C#F#BD#G# | Drop C# (7-String) |
| -6 | DADGCEA | Drop D1 (7-string) |
| -5 | D#A#D#G#C#FA# | Drop D#1 |
| -4 | EBEADF#B | Deep E Polyphonic Drop |
| -3 | FCFA#D#GC | Drop F 7-string |
| -2 | F#C#F#BEG#C# | Drop F# 7-string |
| -1 | GDGCFAD | Drop G 7-string |
| 0 | G#D#G#C#F#A#D# | Drop G# 7-string |
| 1 | AEADGBE | Drop A 7-string |
| 2 | A#FA#D#G#CF | A# Drop Octave (7-string) |
| 3 | BF#BEAC#F# | Drop B (7 String) |
| 7 | D#A#D#G#C#FA# | The Summoning - Sleep Token Tuning |
Similar Tunings - tagged: F#6/9
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More G#D#G#C#F#A#D# Resources
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Songs tuned to G#D#G#C#F#A#D#
| Artist | Song | Album | Tab |
|---|---|---|---|
| Periphery | The Walk | Periphery | |
| Periphery | Letter Experiment | No CD Yet!!! | |
| Periphery | Light | Periphery | |
| Periphery | Icarus Lives! | Djentlemens | |
| Periphery | Ow My Feelings | There Will Be Blizzwald | |
| Periphery | New Groove | Bulb | |
| Periphery | Eureka | Bulb | |
| Periphery | Zero | Clear | |
| Periphery | Facepalm Mute | Periphery II: This Time It's Personal | |
| Periphery | Make Total Destroy | Periphery II: This Time It's Personal | |
| Periphery | Masamune | Periphery II: This Time It's Personal |
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- B
- E
- A
- D
- G
- B
- E
- -11
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- C#
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- B
- E
- A
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- -9
- D
- G
- C
- F
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- D
- G
- -8
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- E
- A
- D
- G
- C
- E
- A
- -6
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- F#
- B
- E
- A
- D
- F#
- B
- -4
- G
- C
- F
- A#
- D#
- G
- C
- -3
- G#
- C#
- F#
- B
- E
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- -2
- A
- D
- G
- C
- F
- A
- D
- -1
- A#
- D#
- G#
- C#
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- 0
- B
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- 1
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- F
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- 7
- F#
- B
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- F#
- B
- -3
- -1
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