G#D#G#C#G#C#F# Guitar Tuner
G#D#G#C#G#C#F# | A♭E♭A♭D♭A♭D♭G♭ G# Draconic - Guitar tuning, chords & scales
Description - G# Draconic
G#1 variation of the 7-string Draconic tuning, with interval pattern 7-5-5. Although useful for having both a Drop Ab power chord and a high range extension, a multi-scale guitar with treble scale no longer than 25.5" is highly recommended for this tuning. A longer scale will make the high F# increasingly prone to breakage.
The G# Draconic tuning is a formidable 7-string setup, designed for players seeking an expanded low range with a unique interval structure. As its name implies, it conjures a powerful, almost mythical sonic landscape, making it ideal for heavy genres such as metal, djent, and progressive rock. This tuning prioritizes both a deep, resonant low-end 'Drop Ab power chord' (G#5) and an extended high range, offering a vast palette for complex riffs, intricate leads, and atmospheric soundscapes.
The original description emphasizes a crucial practical consideration: a multi-scale guitar with a treble scale no longer than 25.5 inches is highly recommended. This is because the highest F# string, due to its increased tension in this tuning, becomes increasingly prone to breakage on longer scale instruments. Careful setup and potentially specific string gauges are advised to ensure optimal performance and longevity.
Technical Analysis: Intervals & Chords
- Open String Notes: G#2 - D#3 - G#3 - C#4 - G#4 - C#5 - F#5 (from lowest to highest string).
- Interval Pattern (between adjacent strings):
- String 7 (G#2) to String 6 (D#3): Perfect 5th (7 semitones)
- String 6 (D#3) to String 5 (G#3): Perfect 4th (5 semitones)
- String 5 (G#3) to String 4 (C#4): Perfect 4th (5 semitones)
- String 4 (C#4) to String 3 (G#4): Perfect 5th (7 semitones)
- String 3 (G#4) to String 2 (C#5): Perfect 4th (5 semitones)
- String 2 (C#5) to String 1 (F#5): Perfect 4th (5 semitones)
- Chordal Possibilities:
- The lowest three strings (G#-D#-G#) immediately provide a powerful G#5 power chord (Root-Fifth-Octave), making heavy riffing in the key of G# particularly accessible.
- The repeated G# and C# notes across the tuning (G#-D#-G#-C#-G#-C#-F#) facilitate easy octave shapes and open voicing, especially for G# minor and C# minor tonalities.
- The open strings offer a strong foundation for G# minor chords, where G# is the root, C# is the perfect fourth, and D# is the perfect fifth. Adding an open F# on the highest string provides the minor seventh, suggesting easy access to G#m7 voicings and melodic ideas.
- The tuning's structure, with its alternating perfect 4ths and 5ths, is conducive to creating rich, complex harmonies and allows for efficient fingerings of common power chords across different string sets.
How to Tune Your Guitar for G# Draconic
- String 7 (Low G#2): Tune down 3 semitones.
- String 6 (D#3): Tune down 1 semitone.
- String 5 (G#3): Tune down 1 semitone.
- String 4 (C#4): Tune down 1 semitone.
- String 3 (G#4): Tune up 1 semitone.
- String 2 (C#5): Tune up 2 semitones.
- String 1 (High F#5): Tune up 2 semitones.
Important Tuning Considerations:
Please be mindful of the string tensions during the tuning process. String 7 is tuned down by 3 semitones, which is a moderate drop; a heavier gauge string for this lowest string may improve tension and tone stability. Strings 3, 2, and 1 are tuned up by 1 or 2 semitones. While these are relatively minor increases, the highest string (F#5) in particular is noted in the tuning description as being prone to breakage on longer scale guitars. Exercise caution during tuning and playing, especially on this string, and consider a multi-scale instrument or specific string gauges to manage tension effectively.
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Capos for G#D#G#C#G#C#F#
Capo | Tuning | Name |
---|---|---|
-4 | EBEAEAD | E1 Draconic |
-3 | FCFA#FA#D# | F Draconic |
-2 | F#C#F#BF#BE | F# Draconic |
-1 | GDGCGCF | G Draconic |
0 | G#D#G#C#G#C#F# | G# Draconic |
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- B
- E
- A
- D
- G
- B
- E
- -11
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- D
- G
- C
- F
- A#
- D
- G
- -8
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- E
- A
- D
- G
- C
- E
- A
- -6
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- F#
- B
- E
- A
- D
- F#
- B
- -4
- G
- C
- F
- A#
- D#
- G
- C
- -3
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- A
- D
- G
- C
- F
- A
- D
- -1
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- B
- E
- A
- D
- G
- B
- E
- 1
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- D
- G
- C
- F
- A#
- D
- G
- 4
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- E
- A
- D
- G
- C
- E
- A
- 6
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- F#
- B
- E
- A
- D
- F#
- B
- -3
- -1
- -1
- -1
- 1
- 2
- 2