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OVERTONES WHY YOU NEED 10 STRING GUITAR

556 views - 19 Jan 2011

Timecodes 0007 introduction 0104 Overtones theory 0220 Overtones Guitar 0308 The Story Jose Ramirez III and Narciso

Switch Key

A A# B C C# D D# E F F# G G#

E Overtone - 2 2 2 1 2 1

Lydian Dominant, Overtone Dominant, Mela Vaschaspati, Lydian Diminished

E
E5
F
F#
2
G
G#
2
A
A#
2
B
1
C
C#
2
D
1
D#
E
F
F#
2
G
G#
2
A
A#
2

B
B4
C
C#
2
D
1
D#
E
F
F#
2
G
G#
2
A
A#
2
B
1
C
C#
2
D
1
D#
E
F

G
G4
G#
2
A
A#
2
B
1
C
C#
2
D
1
D#
E
F
F#
2
G
G#
2
A
A#
2
B
1
C
C#
2

D
D4
D#
E
F
F#
2
G
G#
2
A
A#
2
B
1
C
C#
2
D
1
D#
E
F
F#
2
G
G#
2

A
A3
A#
2
B
1
C
C#
2
D
1
D#
E
F
F#
2
G
G#
2
A
A#
2
B
1
C
C#
2
D
1
D#

E
E3
F
F#
2
G
G#
2
A
A#
2
B
1
C
C#
2
D
1
D#
E
F
F#
2
G
G#
2
A
A#
2

0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18

E

A

D

G

B

E

Strum Strum

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Overtones are awesome Here is why

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Timecodes 0007 introduction 0104 Overtones theory 0220 Overtones Guitar 0308 The Story Jose Ramirez III and Narciso

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BOUTIQUE vs MASS PRODUCED guitars: is it worth it?

Timecodes 0007 introduction 0104 Overtones theory 0220 Overtones Guitar 0308 The Story Jose Ramirez III and Narciso

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WHY IS THERE A SCRUNCHIE ON YOUR GUITAR? | Overtones & sympathetic vibration explained

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Why is there no b sharp?

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Blues & Science: Tone, Harmonics and Overtones

Timecodes 0007 introduction 0104 Overtones theory 0220 Overtones Guitar 0308 The Story Jose Ramirez III and Narciso

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Why composers must learn the overtone series

Why composers must learn the overtone series

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An Introduction to Overtones and Harmonics

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Timecodes 0007 introduction 0104 Overtones theory 0220 Overtones Guitar 0308 The Story Jose Ramirez III and Narciso

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Natural Harmonics (Overtones) on the Guitar Introduction

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87 views 25 Jun 2024

Tuning Map

Fret
S6
S5
S4
S3
S2
S1

-13
D#
G#
C#
F#
A#
D#

-12
E
A
D
G
B
E

-11
F
A#
D#
G#
C
F

-10
F#
B
E
A
C#
F#

-9
G
C
F
A#
D
G

-8
G#
C#
F#
B
D#
G#

-7
A
D
G
C
E
A

-6
A#
D#
G#
C#
F
A#

-5
B
E
A
D
F#
B

-4
C
F
A#
D#
G
C

-3
C#
F#
B
E
G#
C#

-2
D
G
C
F
A
D

-1
D#
G#
C#
F#
A#
D#

0
E
A
D
G
B
E

1
F
A#
D#
G#
C
F

2
F#
B
E
A
C#
F#

3
G
C
F
A#
D
G

4
G#
C#
F#
B
D#
G#

5
A
D
G
C
E
A

6
A#
D#
G#
C#
F
A#

7
B
E
A
D
F#
B

0
0
0
0
0
0

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