Using the Lydian Augmented Scale Over Minor II Vs
114 views - 19 Jan 2011
A half diminished chord following by an altered dominant is a very common progression found in the jazz repertoire It is often
E Lydian Augmented - 2 2 2 2 1 2
Lydian Sharp Five
- EE5
- F
- F#2
- G
- G#2
- A
- A#2
- B
- C2
- C#1
- D
- D#2
- E
- F
- F#2
- G
- G#2
- A
- A#2
- BB4
- C2
- C#1
- D
- D#2
- E
- F
- F#2
- G
- G#2
- A
- A#2
- B
- C2
- C#1
- D
- D#2
- E
- F
- GG4
- G#2
- A
- A#2
- B
- C2
- C#1
- D
- D#2
- E
- F
- F#2
- G
- G#2
- A
- A#2
- B
- C2
- C#1
- DD4
- D#2
- E
- F
- F#2
- G
- G#2
- A
- A#2
- B
- C2
- C#1
- D
- D#2
- E
- F
- F#2
- G
- G#2
- AA3
- A#2
- B
- C2
- C#1
- D
- D#2
- E
- F
- F#2
- G
- G#2
- A
- A#2
- B
- C2
- C#1
- D
- D#2
- EE3
- F
- F#2
- G
- G#2
- A
- A#2
- B
- C2
- C#1
- D
- D#2
- E
- F
- F#2
- G
- G#2
- A
- A#2
- 0
- 1
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Chords
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Scales
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Tuning Map
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 0
- 0
- 0
- 0
- 0
- 0
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