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Connecting triads with scale tones to create melody over a dominant chord Playing over a G7 chord I use the inversions of the B

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Connecting triads with scale tones to create melody over a dominant chord Playing over a G7 chord I use the inversions of the B
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Connecting triads with scale tones to create melody over a dominant chord Playing over a G7 chord I use the inversions of the B
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Connecting triads with scale tones to create melody over a dominant chord Playing over a G7 chord I use the inversions of the B
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Connecting triads with scale tones to create melody over a dominant chord Playing over a G7 chord I use the inversions of the B
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Connecting triads with scale tones to create melody over a dominant chord Playing over a G7 chord I use the inversions of the B
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Connecting triads with scale tones to create melody over a dominant chord Playing over a G7 chord I use the inversions of the B
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Connecting triads with scale tones to create melody over a dominant chord Playing over a G7 chord I use the inversions of the B
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Connecting triads with scale tones to create melody over a dominant chord Playing over a G7 chord I use the inversions of the B
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