An introduction to the Lydian Chromatic Concept of Tonal Organization part 1
0 views - 19 Jan 2011
The Lydian Chromatic Concept of Tonal Organization postulated by George Russell in his book in 1953 will help any humble and sincere musician to
A Chromatic Lydian - 1 3 1 1 3 2
Oriental Three
- EE5
- F
- F#3
- G
- G#2
- A
- A#1
- B
- C
- C#3
- D1
- D#1
- E
- F
- F#3
- G
- G#2
- A
- A#1
- BB4
- C
- C#3
- D1
- D#1
- E
- F
- F#3
- G
- G#2
- A
- A#1
- B
- C
- C#3
- D1
- D#1
- E
- F
- GG4
- G#2
- A
- A#1
- B
- C
- C#3
- D1
- D#1
- E
- F
- F#3
- G
- G#2
- A
- A#1
- B
- C
- C#3
- DD4
- D#1
- E
- F
- F#3
- G
- G#2
- A
- A#1
- B
- C
- C#3
- D1
- D#1
- E
- F
- F#3
- G
- G#2
- AA3
- A#1
- B
- C
- C#3
- D1
- D#1
- E
- F
- F#3
- G
- G#2
- A
- A#1
- B
- C
- C#3
- D1
- D#1
- EE3
- F
- F#3
- G
- G#2
- A
- A#1
- B
- C
- C#3
- D1
- D#1
- E
- F
- F#3
- G
- G#2
- A
- A#1
- 0
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
Chords
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Scales
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Create Chord Sheet
Create String Gauge
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Tuning Map
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Info
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 0
- 0
- 0
- 0
- 0
- 0
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