How to actually USE dominant chords in a composition - Diminished 7 & Half - Guitar Lesson EP413
38 views - 19 Jan 2011
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In this week's guitar lesson, you'll learn a slow blues ballad that is full of diminished chords (and an augmented chord), and I'll explain the use cases for ...
A Octatonic - 1 2 1 2 1 2 1
Auxiliary Diminished Blues, Composite, Diminished Inv., Diminished Dominant, Half-Whole Step
- EE5
- F
- F#2
- G1
- G#
- A
- A#1
- B
- C2
- C#1
- D
- D#2
- E1
- F
- F#2
- G1
- G#
- A
- A#1
- BB4
- C2
- C#1
- D
- D#2
- E1
- F
- F#2
- G1
- G#
- A
- A#1
- B
- C2
- C#1
- D
- D#2
- E1
- F
- GG4
- G#
- A
- A#1
- B
- C2
- C#1
- D
- D#2
- E1
- F
- F#2
- G1
- G#
- A
- A#1
- B
- C2
- C#1
- DD4
- D#2
- E1
- F
- F#2
- G1
- G#
- A
- A#1
- B
- C2
- C#1
- D
- D#2
- E1
- F
- F#2
- G1
- G#
- AA3
- A#1
- B
- C2
- C#1
- D
- D#2
- E1
- F
- F#2
- G1
- G#
- A
- A#1
- B
- C2
- C#1
- D
- D#2
- EE3
- F
- F#2
- G1
- G#
- A
- A#1
- B
- C2
- C#1
- D
- D#2
- E1
- F
- F#2
- G1
- G#
- A
- A#1
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 0
- 0
- 0
- 0
- 0
- 0
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