AAC#EG#C# Guitar Tuner
AAC#EG#C# | AAD♭EA♭D♭ Open A Major 7 - Guitar tuning, chords & scales
An Enchanting Sonic Landscape: Open A Major 7
This captivating tuning, notably featured in Hayley Heynderickx's "The Bug Catcher", transforms your guitar into a resonant sound canvas, perfect for intricate fingerstyle, atmospheric textures, and rich harmonic exploration. It leans into a lower register, offering a deep, earthy foundation with sparkling high notes.
Verbal Analysis
Imagine a vast, open sound where chords ring with exceptional clarity and sustain. The Open A Major 7 tuning immediately presents a full, lush A Major 7 chord when played open, giving you a wonderful starting point for songwriting and improvisation. Its low root notes create a drone-like quality, while the higher strings add a delicate, shimmering top end. This tuning invites you to explore melodic lines over sustained harmonies, making it ideal for contemplative pieces, folk, and indie-acoustic styles. The overall character is warm, expansive, and harmonically sophisticated.
Technical Analysis
The open strings of this tuning lay out the notes of an A Major 7 chord (A - C♯ - E - G♯) across the fretboard, providing a powerful harmonic foundation:
- 6th String (Low E): A1 (Root)
- 5th String (A): A1 (Root, reinforcing the bass)
- 4th String (D): C♯4 (Major Third)
- 3rd String (G): E3 (Perfect Fifth)
- 2nd String (B): G♯4 (Major Seventh)
- 1st String (High E): C♯5 (Major Third, an octave higher)
The presence of two low A notes (A1) provides a robust and deeply resonant bass. The C♯ on the 4th string and the higher C♯ on the 1st string emphasize the major third, while the G♯ on the 2nd string distinctly forms the major seventh, giving the tuning its characteristic jazz-tinged, yet open, quality.
Many chords become easily accessible: simply barring across a single fret will yield other Major 7 chords (e.g., barring at the 2nd fret would give a B Major 7 chord). Slight finger alterations can quickly transform the open A Maj7 into related chords:
- A7 (Dominant): Flattening the G♯ on the 2nd string to G (down 1 semitone) immediately creates an A7 chord.
- Am7 (Minor 7): Flattening the C♯ on the 4th string to C (down 1 semitone) and the G♯ on the 2nd string to G (down 1 semitone) would lead towards an Am7.
The wide interval between the 5th string (A1) and the 4th string (C♯4) creates a significant harmonic gap that can be utilized for unique voicings and melodic arrangements. This tuning encourages a less traditional approach to the fretboard, favoring shapes and drones that leverage its open harmonic structure.
Current Tuning: Open A Major 7
Here are the notes for each string in this Open A Major 7 tuning:
- 6th String (Low E): A1
- 5th String (A): A1
- 4th String (D): C♯4
- 3rd String (G): E3
- 2nd String (B): G♯4
- 1st String (High E): C♯5
How to Tune Your Guitar to Open A Major 7
To achieve the Open A Major 7 tuning, you will adjust each string from its standard pitch as follows. Please take care when making large adjustments:
- 6th String (Low E): Tune to A1. You will need to tune down 7 semitones. (Warning: This is a significant drop; consider using a heavier gauge string for optimal tension and tone.)
- 5th String (A): Tune to A1. You will need to tune down 12 semitones. (Warning: This is an entire octave down; a heavier gauge string is strongly advised to maintain playability and prevent floppiness.)
- 4th String (D): Tune to C♯4. You will need to tune down 1 semitone.
- 3rd String (G): Tune to E3. You will need to tune down 3 semitones.
- 2nd String (B): Tune to G♯4. You will need to tune down 3 semitones.
- 1st String (High E): Tune to C♯5. You will need to tune down 3 semitones.
Always tune carefully and use a reliable tuner. For strings requiring significant tuning down (more than 4 semitones), heavier gauge strings are recommended to maintain proper tension and intonation.
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Capos for AAC#EG#C#
| Capo | Tuning | Name |
|---|---|---|
| 0 | AAC#EG#C# | Open A Major 7 |
More AAC#EG#C# Resources
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -7
- -12
- -1
- -3
- -3
- -3
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