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ACDF#AD Guitar Tuner

ACDF#AD | ACDG♭AD Open D7 - Guitar tuning, chords & scales

Description - Open D7

Good lap steel tuning. Also lets one play mountain dulcimer music fairly easily.

Verbal Analysis: Open D7 Tuning

The Open D7 tuning is a remarkably expressive and resonant setup, making it a cornerstone for genres like blues, folk, Hawaiian, and roots music. It's particularly well-suited for slide guitar and lap steel playing, as the open strings naturally form a dominant seventh chord, allowing for rich, full harmonies with minimal effort. This tuning also draws parallels to the mountain dulcimer, offering a drone-like quality and simplifying melodic improvisation, making it an excellent choice for exploring open, ringing sounds and specific, atmospheric moods.

Technical Analysis: Open D7 Tuning (A2 C3 D3 F#3 A3 D4)

This tuning reconfigures your guitar's strings to the following open notes, from the lowest (thickest) string to the highest (thinnest): A2, C3, D3, F#3, A3, and D4. These specific notes, when strummed open, collectively form a D7 chord, which consists of the root (D), the major third (F#), the perfect fifth (A), and the minor seventh (C). This characteristic voicing provides a bluesy, full-bodied sound that resonates beautifully without any fretting.

Open Chord Analysis

The tuning's name, 'Open D7', precisely describes its core harmonic characteristic: strumming the open strings produces a D7 chord. This immediate chordal foundation is incredibly powerful, especially for slide guitarists. By simply laying a slide across all strings at a given fret, you instantly achieve another dominant seventh chord (e.g., barring at the 5th fret yields a G7 chord, the 7th fret an A7 chord, and so forth), making chord changes fluid and intuitive.

Potential Chords and Playability

  • Effortless Slide Guitar: This tuning is a dream for slide players. The open D7 chord allows for seamless movement between dominant seventh chords simply by moving the slide up and down the fretboard.
  • Dulcimer-Inspired Melodies: The arrangement of notes lends itself to simple, melodic lines with a drone, echoing the sound and playability of a mountain dulcimer. This is particularly effective when focusing on the higher strings.
  • D Major and Minor Access: While the open chord is D7, the D Major triad (D, F#, A) is naturally present. You can easily achieve a D minor sound by flattening the F#3 to F3, often by fretting a single note.
  • Rich Harmonic Textures: The presence of the minor seventh (C) adds a bluesy, soulful dimension, enabling players to easily explore dominant seventh voicings and blues-oriented chord progressions.
  • Drone Potential: The repeated D and A notes provide excellent drone possibilities, which are fundamental to folk and traditional music styles.

How to Tune to Open D7 from Standard E Tuning

To achieve the Open D7 tuning, begin from standard E-A-D-G-B-E tuning. Please carefully follow the tuning adjustments for each string below, noting the semitone movements. It is important to exercise caution when tuning strings up multiple semitones, as this significantly increases string tension. For string movements exceeding 4 semitones (either up or down), it is strongly advised to consider using a different string gauge to ensure optimal playability and prevent potential string breakage or neck damage.

  • String 6 (Low E String): Tune up 5 semitones from E2 to A2. (**Caution:** Tuning up 5 semitones significantly increases string tension. A lighter gauge string set may be advised for comfort and safety.)
  • String 5 (A String): Tune up 3 semitones from A2 to C3. (**Caution:** Tuning up 3 semitones increases string tension. Proceed carefully and check intonation.)
  • String 4 (D String): Keep as is; no change (0 semitones) at D3.
  • String 3 (G String): Tune down 1 semitone from G3 to F#3.
  • String 2 (B String): Tune down 2 semitones from B3 to A3.
  • String 1 (High E String): Tune down 2 semitones from E4 to D4.


String 6: A2 - (Standard E string tuned up 5 semitones)

String 5: C3 - (Standard A string tuned up 3 semitones)

String 4: D3 - (Standard D string; no change)

String 3: F#3 - (Standard G string tuned down 1 semitone)

String 2: A3 - (Standard B string tuned down 2 semitones)

String 1: D4 - (Standard E string tuned down 2 semitones)

A
C
D
F#
A
D

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Capos for ACDF#AD

Capo Tuning Name
0 ACDF#AD Open D7
2 BDEG#BE Roger Filiberto Open E7

Scales for ACDF#AD

A A# B C C# D

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