ADAC#F#AC# Guitar Tuner
ADAC#F#AC# | ADAD♭G♭AD♭ Opem Dmaj7 - Guitar tuning, chords & scales
Tuning Analysis: Opem Dmaj7
The "Opem Dmaj7" tuning for a 7-string guitar is designed to resonate with a rich, full D Major 7th chord when strummed open. As described in the tuning's essence, it's perfect "for rainy days and early nights," evoking a sense of calm, introspection, and sophisticated melancholy. This tuning lends itself beautifully to ambient soundscapes, nuanced fingerstyle arrangements, and expressive slide guitar, where its inherent harmony can truly shine with minimal effort.
Technical Breakdown:
This is a 7-string guitar tuning with the following notes from the lowest (7th) to the highest (1st) string: A1-D2-A2-C#4-F#4-A3-C#5. When all strings are played open, they collectively form a lush Dmaj7 chord (D, F#, A, C#). The intelligent arrangement features multiple A (5th) and C# (major 7th) notes across different octaves, creating a highly resonant and harmonically rich foundation. The root (D) and third (F#) are strategically placed to provide a strong tonal center and complete the characteristic major 7th voicing.
- String 7 (A1): Provides a deep, resonant bass note, acting as the 5th of D.
- String 6 (D2): The fundamental root note of the Dmaj7 chord, anchoring the tuning.
- String 5 (A2): Another A, reinforcing the 5th and adding fullness to the chord.
- String 4 (C#4): The essential major 7th, providing the characteristic Dmaj7 voicing's tension and sweetness.
- String 3 (F#4): The major 3rd, completing the major triad within the chord, adding brightness.
- String 2 (A3): A higher octave A, adding brilliance and chime to the 5th.
- String 1 (C#5): The highest string, offering a bright and chiming major 7th, extending the chord's upper register.
Chordal Opportunities:
With its open Dmaj7 voicing, this tuning makes exploring harmonious soundscapes incredibly intuitive and rewarding:
- Open Strum: A full Dmaj7 chord rings out, perfect for atmospheric introductions, sustained pads, or a resonant base for melodies.
- Barre Chords: By simply barring all seven strings at a single fret, you can effortlessly create other major 7th chords up and down the neck. For example, a barre at the 2nd fret yields an Emaj7, at the 3rd fret an Fmaj7, and so on. This significantly simplifies chord progressions and allows for fluid harmonic movement.
- Drone & Melody: The open strings, particularly the low A and D, can be effectively used as drones while melodic lines are played on the higher strings, creating rich, layered textures.
- Extended Chords: Slight finger modifications from basic barre shapes can easily lead to more complex voicings such as sus2, sus4, or add9, offering further harmonic color and sophistication.
How to Tune Your Guitar:
To achieve the Opem Dmaj7 tuning, adjust your 7-string guitar from its current setup as follows. Always tune slowly and carefully, especially when decreasing string tension.
- String 7 (Lowest String): Tune down 2 semitones to reach A1.
- String 6: Tune down 2 semitones to reach D2.
- String 5: Keep as is; no change (0 semitones) to A2.
- String 4: Tune down 1 semitone to reach C#4.
- String 3: Tune down 1 semitone to reach F#4.
- String 2: Tune down 2 semitones to reach A3.
- String 1 (Highest String): Tune down 3 semitones to reach C#5.
These adjustments are generally moderate and well within the safe range for most standard string gauges. No string is tuned up or down by more than 3 semitones. However, for any tuning changes, always exercise caution and ensure your instrument's neck relief remains stable after altering string tension.
The "Opem Dmaj7" tuning for a 7-string guitar is set as follows, from the lowest (7th) to the highest (1st) string:
- String 7 (Lowest String): A1
- String 6: D2
- String 5: A2
- String 4: C#4
- String 3: F#4
- String 2: A3
- String 1 (Highest String): C#5
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Capos for ADAC#F#AC#
| Capo | Tuning | Name |
|---|---|---|
| 0 | ADAC#F#AC# | Opem Dmaj7 |
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- B
- E
- A
- D
- G
- B
- E
- -11
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- D
- G
- C
- F
- A#
- D
- G
- -8
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- E
- A
- D
- G
- C
- E
- A
- -6
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- F#
- B
- E
- A
- D
- F#
- B
- -4
- G
- C
- F
- A#
- D#
- G
- C
- -3
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- A
- D
- G
- C
- F
- A
- D
- -1
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- B
- E
- A
- D
- G
- B
- E
- 1
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- D
- G
- C
- F
- A#
- D
- G
- 4
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- E
- A
- D
- G
- C
- E
- A
- 6
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- F#
- B
- E
- A
- D
- F#
- B
- -2
- -2
- 0
- -1
- -1
- -2
- -3
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