ADAEA Bass Electric Tuner
ADAEA Asus4 - Bass Electric tuning, chords & scales
Verbal Analysis
The Asus4 Bass Tuning for a 5-string electric bass transforms your instrument into a deep, resonant canvas for an A suspended 4th chord. This tuning is perfect for bassists looking to lay down incredibly solid and harmonically rich foundations, particularly in genres like rock, metal, funk, and ambient music where a full, open sound is desired. It provides an expansive low-end with the prominent A1, while the D and E offer harmonic depth, all capped by the bright A3. The open strings sing an Asus4 chord, creating an immediate sense of scale and power. It's a tuning that encourages creative exploration of drone, rhythmic motifs, and melodic lines that resonate with the underlying chord.
Technical Analysis
This is a 5-string Bass Electric tuning where the open strings are set to A1, D2, A2, E3, A3. Technically, this arrangement spells out an A suspended 4th chord (A-D-E), with the root (A) impressively spanning three octaves across the instrument (A1, A2, A3). The 4th (D) sits on the 4th string (D2) and the 5th (E) on the 2nd string (E3). This particular voicing offers a very open and harmonically robust sound.
The repeated 'A' notes at different octaves (A1, A2, A3) make octaves and power chords incredibly accessible, allowing for powerful, thick bass lines with minimal effort. For instance, a simple root-5th-root power chord shape (A-E-A) can be achieved by fretting the 2nd string at various positions while playing open strings 5-2-1 or 3-2-1. Shifting this entire open chord shape up the neck allows for easy transposition to Bsus4, Csus4, etc. The presence of the D (4th) and E (5th) provides a strong harmonic anchor, making it simple to construct additional chord voicings or imply harmonies simply by adding a single note. For example, by fretting the 2nd string (currently E3) at the 3rd fret (G3), you can imply an A7 harmony over the open A-D-A strings.
How to Tune
To achieve the Asus4 Bass Tuning (5-String), adjust your strings as follows. Always use a tuner and tune carefully, especially when increasing string tension.
- String 5 (Lowest, A1): Tune down 2 semitones.
- String 4 (D2): Tune down 2 semitones.
- String 3 (A2): Keep as is; no change (0 semitones).
- String 2 (E3): Tune up 2 semitones. Exercise caution when tuning up; ensure your bass's neck and strings can handle the increased tension.
- String 1 (Highest, A3): Tune up 2 semitones. As with String 2, monitor string tension carefully.
For string movements that exceed tuning up or down 4 semitones, it is generally advised to consider a different gauge of string to maintain optimal tension and prevent potential damage to your instrument. In this tuning, all adjustments are within a safe range, though always be mindful of increased tension when tuning strings up.
String 5 (Lowest): A1
String 4: D2
String 3: A2
String 2: E3
String 1 (Highest): A3
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- -13
- A#
- D#
- G#
- C#
- F#
- -12
- B
- E
- A
- D
- G
- -11
- C
- F
- A#
- D#
- G#
- -10
- C#
- F#
- B
- E
- A
- -9
- D
- G
- C
- F
- A#
- -8
- D#
- G#
- C#
- F#
- B
- -7
- E
- A
- D
- G
- C
- -6
- F
- A#
- D#
- G#
- C#
- -5
- F#
- B
- E
- A
- D
- -4
- G
- C
- F
- A#
- D#
- -3
- G#
- C#
- F#
- B
- E
- -2
- A
- D
- G
- C
- F
- -1
- A#
- D#
- G#
- C#
- F#
- 0
- B
- E
- A
- D
- G
- 1
- C
- F
- A#
- D#
- G#
- 2
- C#
- F#
- B
- E
- A
- 3
- D
- G
- C
- F
- A#
- 4
- D#
- G#
- C#
- F#
- B
- 5
- E
- A
- D
- G
- C
- 6
- F
- A#
- D#
- G#
- C#
- 7
- F#
- B
- E
- A
- D
- -2
- -2
- 0
- 2
- 2