ADEADGBD Guitar Tuner
ADEADGBD Open D6sus(9) Triadic Tuning - Guitar tuning, chords & scales
Description - Open D6sus(9) Triadic Tuning
This is Open D6sus(9) Tuning For 8 String Guitar in a Triadic Form
Standard Vs D6sus(9) Tuning
D, A E A D G B E = Normal
D, A D A D G B E = Open
A, D E A D G B D = Triadic
A, D E A D G B D = Triadic
8, 7 6 5 4 3 2 1
D, A E A D G B E = Normal
D, A D A D G B E
B, E A D E G B E = Standard
A, D E A D G B D = D6sus(9)
Welcome to the Open D6sus(9) Triadic Tuning for 8-string guitar! This rich and resonant tuning is designed to provide a versatile harmonic landscape centered around the key of D, offering both familiar open chord voicings and exciting new possibilities.
Verbal Analysis
This tuning transforms your 8-string guitar into a powerful sonic canvas, with a deeply resonant low end and sparkling high strings. The open notes create a lush Dsus4(add6, add9) chord, offering a beautiful, somewhat ambiguous, but always full sound when strummed open. The low 'A' and 'D' strings provide a robust foundation, reminiscent of drop tunings, making it excellent for heavy riffs and drone notes. The repetition of 'A' and 'D' across different octaves (the "Triadic" aspect) ensures a strong harmonic core. This isn't just a simple open chord; it's an extended voicing that invites experimentation with modal playing and atmospheric soundscapes. The arrangement encourages slide playing and barring, as a single finger can fret a complex chord up and down the neck.
Technical Analysis
The tuning notes are, from lowest to highest: A1, D2, E2, A2, D3, G3, B3, D4. Let's analyze the intervals relative to D:
- D (Root): Found on strings 7, 4, and 1, providing a strong anchor across octaves.
- A (Perfect 5th): Found on strings 8 and 5, reinforcing the D-A power chord sound and providing harmonic stability.
- E (Major 2nd / 9th): Found on string 6, adding an open, suspended quality.
- G (Perfect 4th / 11th): Found on string 3, providing the characteristic 'sus4' sound.
- B (Major 6th): Found on string 2, completing the D6 aspect of the tuning.
The open strings collectively form the notes A, B, D, E, G. When D is considered the root, this translates to D (root), E (major 2nd/9th), G (perfect 4th/11th), A (perfect 5th), B (major 6th). This explicitly forms a Dsus4(add6, add9) chord (also sometimes notated as Dsus2,4,6 or Dmaj9sus4).
Open Chords & Accessible Shapes:
- Open Strum: Strumming all eight open strings yields a powerful Dsus4(add6, add9) chord. This chord is full and harmonically rich, perfect for ambient textures, folk, or progressive rock.
- Barre Chords: Due to the open chord structure, barring all strings at any given fret will produce the same Dsus4(add6, add9) chord quality in the corresponding key. For instance, barring at the 5th fret will give you a Gsus4(add6, add9) chord.
- Power Chords: The strong prevalence of D and A notes (strings 8, 7, 5, 4, 1) makes power chords incredibly easy to play. You can easily achieve thick D5 or A5 power chords across multiple strings, perfect for heavy genres.
- Extended Voicings: The intervals of D-G-B-D on the top four strings (4-1) offer unique possibilities. Fret 2 on string 3 (G) gives you A, creating a D-A-B-D triad on strings 4-1 for a D6 voicing.
- Basslines: The low A1 and D2 provide an excellent foundation for intricate basslines or octave riffs, especially when combined with the repeating D and A notes higher up.
How to Tune
To achieve the Open D6sus(9) Triadic Tuning, you will adjust your 8-string guitar as follows. Please tune carefully and gradually to avoid string breakage, especially when tuning up. As a general guideline, if a string needs to be tuned more than 4 semitones up or down, considering a different string gauge might be advisable for optimal tension and tone.
- String 8 (Lowest A): Tune up 3 semitones. (From G1 to A1)
- String 7 (Low D): Tune up 3 semitones. (From B1 to D2)
- String 6 (E): Keep as is; no change (0 semitones). (Remains E2)
- String 5 (A): Keep as is; no change (0 semitones). (Remains A2)
- String 4 (D): Keep as is; no change (0 semitones). (Remains D3)
- String 3 (G): Keep as is; no change (0 semitones). (Remains G3)
- String 2 (B): Keep as is; no change (0 semitones). (Remains B3)
- String 1 (Highest D): Tune down 2 semitones. (From E4 to D4)
String 8: A1
String 7: D2
String 6: E2
String 5: A2
String 4: D3
String 3: G3
String 2: B3
String 1: D4
Comments - have your say on ADEADGBD
Capos for ADEADGBD
Capo | Tuning | Name |
---|---|---|
0 | ADEADGBD | Open D6sus(9) Triadic Tuning |
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Tuning Map
- Fret
- S8
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- F#
- B
- E
- A
- D
- G
- B
- E
- -11
- G
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- A
- D
- G
- C
- F
- A#
- D
- G
- -8
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- B
- E
- A
- D
- G
- C
- E
- A
- -6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -4
- D
- G
- C
- F
- A#
- D#
- G
- C
- -3
- D#
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- E
- A
- D
- G
- C
- F
- A
- D
- -1
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- F#
- B
- E
- A
- D
- G
- B
- E
- 1
- G
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- A
- D
- G
- C
- F
- A#
- D
- G
- 4
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- B
- E
- A
- D
- G
- C
- E
- A
- 6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- C#
- F#
- B
- E
- A
- D
- F#
- B
- 3
- 3
- 0
- 0
- 0
- 0
- 0
- -2