ADGC Bass Electric Tuner
ADGC A Standard - Bass Electric tuning, chords & scales
A Standard Bass Tuning: A Sonic Foundation for the Heaviest Rhythms
This is a formidable and profoundly low tuning tailored for bass guitars, predominantly found within the realms of modern metal, doom, and other extreme heavy music genres. It provides an incredibly deep, resonant, and often menacing foundation, imparting a massive sonic presence that is perfect for driving, chugging riffs and powerful rhythmic sections. The overall effect is an immense sonic weight, allowing bassists to perfectly lock in with guitars tuned to A standard or Drop A, ensuring a cohesive and incredibly heavy low-end.
Technical Analysis:
A Standard for a 4-string bass is configured as A0-D1-G1-C2, from lowest to highest string. This tuning maintains the familiar perfect fourth intervals between all strings (A0 to D1, D1 to G1, G1 to C2), which allows bassists to retain their knowledge of scale shapes and chord voicings relative to the open strings, simply transposed to a much lower register. Compared to a standard EADG bass tuning, the lowest string (A0) is an entire octave and a perfect fourth below the standard E1. This extremely low pitch, especially for the A0 string, will significantly reduce string tension on a standard 34-inch scale bass. For optimal playability, intonation, and tone, a dedicated set of heavier gauge strings, possibly designed for baritone or multi-scale instruments, is highly recommended.
Open Chords & Voicings:
While bass guitars typically emphasize single notes, riffs, and arpeggios, the consistent perfect fourth intervals of this open tuning naturally facilitate certain harmonic possibilities. Open fifths and octaves are readily accessible, creating a solid, droning effect ideal for heavy, sustained textures. For instance, playing the open A0 and then the D1 (a perfect fourth above) creates a strong harmonic foundation. To achieve power chord-like voicings (root-fifth), one would typically fret a note on the lowest string (e.g., A0) and then the perfect fifth above it on the same string or an octave higher on the next string up. The open strings themselves don't form a conventional chord, but their deep, resonant quality makes them excellent for defining the root notes of heavy progressions.
Tuning Notes:
- 4th String (Lowest): A0
- 3rd String: D1
- 2nd String: G1
- 1st String (Highest): C2
How to Tune:
Achieving A Standard tuning involves significantly loosening the tension of your bass strings. It's crucial to proceed carefully to avoid damaging your instrument or strings. Due to the substantial drop in pitch for all strings (tuning down 4 semitones), string tension will be considerably reduced. For optimal playability, intonation, and to prevent excessive fret buzz, it is highly advisable to use a heavier gauge string set specifically designed for lower tunings. Without appropriate string gauge, the strings may feel too loose or floppy, impacting tone and sustain.
- 4th String (Target: A0): Tune down 4 semitones from its current pitch to reach A0.
- 3rd String (Target: D1): Tune down 4 semitones from its current pitch to reach D1.
- 2nd String (Target: G1): Tune down 4 semitones from its current pitch to reach G1.
- 1st String (Target: C2): Tune down 4 semitones from its current pitch to reach C2.
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Capos for ADGC
Capo | Tuning | Name |
---|---|---|
-14 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-13 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-12 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-11 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-10 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-9 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-8 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-7 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-6 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-5 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-4 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-3 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-2 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-1 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
0 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
1 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
2 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
3 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
4 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
5 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
6 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
7 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
8 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
9 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
10 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
11 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
12 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
13 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
14 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
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Tuning Map
- Fret
- S9
- S8
- S7
- S6
- -13
- C
- F
- A#
- D#
- -12
- C#
- F#
- B
- E
- -11
- D
- G
- C
- F
- -10
- D#
- G#
- C#
- F#
- -9
- E
- A
- D
- G
- -8
- F
- A#
- D#
- G#
- -7
- F#
- B
- E
- A
- -6
- G
- C
- F
- A#
- -5
- G#
- C#
- F#
- B
- -4
- A
- D
- G
- C
- -3
- A#
- D#
- G#
- C#
- -2
- B
- E
- A
- D
- -1
- C
- F
- A#
- D#
- 0
- C#
- F#
- B
- E
- 1
- D
- G
- C
- F
- 2
- D#
- G#
- C#
- F#
- 3
- E
- A
- D
- G
- 4
- F
- A#
- D#
- G#
- 5
- F#
- B
- E
- A
- 6
- G
- C
- F
- A#
- 7
- G#
- C#
- F#
- B
- -4
- -4
- -4
- -4