ADGCDF# Guitar Tuner
ADGCDF# | ADGCDG♭ Mikhail Syomin's A Minor Additive - Guitar tuning, chords & scales
Verbal Analysis: This is a highly unconventional and experimental tuning, offering a unique sonic palette. It features a dramatic drop in pitch for the four lowest strings, creating a deep, resonant foundation, while the two highest strings are raised, adding brightness and tension. This contrast provides a wide dynamic and harmonic range, making it ideal for experimental fingerstyle, ambient textures, and creating rich, complex open voicings. The extensive re-tuning across the instrument can inspire new melodic and harmonic ideas, pushing the boundaries of traditional guitar playing.
Technical Analysis: The open strings are tuned to A1-D2-G2-C3-D4-F#5.
- The lowest four strings (A1-D2-G2-C3) are all tuned in perfect fourths relative to each other. This consistent interval on the lower register provides a powerful, drone-like quality and facilitates easy transposition of chord shapes across these strings.
- Following this, the third string (C3) transitions to the second string (D4) with an interval of a whole step and an octave higher, offering a bright, melodic contrast.
- The highest string (F#5) is a major third above the D4, adding a characteristic 'leading tone' quality.
- When strummed open, this tuning produces a rich A minor 7 (add 4, add 6) chord (A-C-D-F#-G). This complex voicing opens doors to sophisticated harmonic landscapes and unique arpeggios.
- Common chord shapes will need significant re-learning due to the altered intervals, but the consistent perfect fourths on the low strings make power chords and certain inversions relatively accessible in that range. For example, a simple two-finger shape on strings 6 and 5, moved up the neck, will yield perfect fifths or fourths, much like standard drop tunings.
How to Tune:
- 6th String (Low E): Tune down 7 semitones from E to A1. Warning: Tuning down 7 semitones means a significant drop in tension; a heavier gauge string is strongly advised for optimal performance and to prevent buzzing.
- 5th String (A): Tune down 7 semitones from A to D2. Warning: Tuning down 7 semitones means a significant drop in tension; a heavier gauge string is strongly advised for optimal performance and to prevent buzzing.
- 4th String (D): Tune down 7 semitones from D to G2. Warning: Tuning down 7 semitones means a significant drop in tension; a heavier gauge string is strongly advised for optimal performance and to prevent buzzing.
- 3rd String (G): Tune down 7 semitones from G to C3. Warning: Tuning down 7 semitones means a significant drop in tension; a heavier gauge string is strongly advised for optimal performance and to prevent buzzing.
- 2nd String (B): Tune up 3 semitones from B to D4. Caution: Tuning up 3 semitones increases string tension. Proceed with care to avoid string breakage.
- 1st String (High E): Tune up 2 semitones from E to F#5. Caution: Tuning up 2 semitones increases string tension. Proceed with care to avoid string breakage.
6th String: The lowest string is tuned to A1, providing a deep, resonant bass foundation for the tuning.
5th String: The fifth string is tuned to D2, forming a perfect fourth interval above the low A string.
4th String: The fourth string is tuned to G2, maintaining the perfect fourth interval with the D string, contributing to the consistent low-end structure.
3rd String: The third string is tuned to C3, completing a series of perfect fourths and providing the minor third of the open A minor chord voicing.
2nd String: The second string is tuned to D4, a whole step up from the C string and an octave higher than the 5th string's D, adding a distinct melodic voice.
1st String: The highest string is tuned to F#5, a major third above the D string, which introduces a bright, upper harmonic to the overall open chord.
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Capos for ADGCDF#
| Capo | Tuning | Name |
|---|---|---|
| 0 | ADGCDF# | Mikhail Syomin's A Minor Additive |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -7
- -7
- -7
- -7
- 3
- 2
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