AEAC#EB Guitar Tuner
AEAC#EB | AEAD♭EB Aeac#eb - Guitar tuning, chords & scales
Tuning Analysis: Amaj9 Open (aeac#eb)
This unique guitar tuning, which we'll call "Amaj9 Open," transforms the standard EADGBe into a rich, resonant A Major chord with an added ninth. The open strings are tuned to A2-E2-A2-C4#-E3-B3. This configuration creates a powerful sonic landscape, especially well-suited for open strumming and melodic exploration in the key of A Major.
Verbal Analysis:
"Amaj9 Open" delivers a bright and full sound, immediately establishing an A Major tonality when strummed open. The low A and E provide a solid, deep foundation, with the doubled A adding significant resonance. The C# on the third string brightly defines the major quality, while the high E and B add sparkle and harmonic complexity, creating an Aadd9 or Amaj9 (no 7th) voicing. This tuning is fantastic for creating soaring melodic lines and allows for easy access to open, ringing chords. It feels spacious and inviting, making it excellent for fingerstyle, ambient textures, and even percussive tapping techniques, as suggested by the original description, due to the open intervals that resonate well.
Technical Analysis:
- Open Chord Voicing: When strummed open, the tuning forms A-E-A-C#-E-B, which is an A Major chord with an added B (the 9th). This creates a powerful Amaj9 (no 7th) sonority, offering a full and harmonically rich foundation without needing to fret any strings.
- Intervals: From the lowest A string, the intervals are: perfect 5th (E), octave (A), major 3rd (C#), perfect 5th (E), major 9th (B). The strong presence of root (A), fifth (E), and major third (C#) makes it very stable in A Major.
- Chordal Opportunities: Beyond the open Amaj9, the parallel A-E-A on the lower strings allows for easy formation of power chords and drone notes. Standard chord shapes will be significantly altered, but new, interesting voicings for chords related to A, D, and E will emerge. For example, moving a single finger on the 4th string could create an A minor sound by flattening the C# to C. Exploring triad inversions across the upper strings will yield fresh sounds.
- Tapping Potential: The open string configuration lends itself well to tapping, as numerous notes within the A Major scale (and extensions) are readily available. The wide intervals between certain strings (e.g., C# to E, E to B) can facilitate interesting arpeggiation and percussive techniques.
- String Tension Considerations: Please note that this tuning involves significant changes from standard EADGBe. Several strings are tuned down 5 to 7 semitones, which may result in a very loose feel and potential intonation issues with standard gauge strings. Conversely, the 6th string is tuned up 5 semitones, putting it under considerably higher tension. For optimal playability and to prevent string breakage or potential damage to your instrument, it is strongly advised to consider using a different string gauge set that is specifically designed for such radical tuning shifts.
How to Tune:
To achieve the "Amaj9 Open" tuning from standard EADGBe, follow these string movements. Please be mindful of string tension changes, especially for movements greater than 4 semitones up or down, where a different string gauge may be advisable.
- 6th String (Low E): Tune up 5 semitones from E to A. (Caution: Significant tension increase, consider heavier gauge or risk of breakage.)
- 5th String (A): Tune down 5 semitones from A to E. (Caution: Significant tension decrease, may feel slack.)
- 4th String (D): Tune down 5 semitones from D to A. (Caution: Significant tension decrease, may feel slack.)
- 3rd String (G): Tune down 6 semitones from G to C#. (Caution: Significant tension decrease, may feel very slack.)
- 2nd String (B): Tune down 7 semitones from B to E. (Caution: Significant tension decrease, may feel very slack.)
- 1st String (High E): Tune down 5 semitones from E to B. (Caution: Significant tension decrease, may feel slack.)
Tuning Notes:
Here are the notes for each string, from the lowest (6th string) to the highest (1st string):
6th String: A2
5th String: E2
4th String: A2
3rd String: C4#
2nd String: E3
1st String: B3
Comments - have your say on AEAC#EB
Capos for AEAC#EB
| Capo | Tuning | Name |
|---|---|---|
| 0 | AEAC#EB | Aeac#eb |
More AEAC#EB Resources
Loading an obscene
amount of Chords
Loading an obscene
amount of Scales
Please use the below form to submit a song for AEAC#EB that is not already on gtdb.org.
Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 5
- -5
- -5
- -6
- -7
- -5
© 2025 GTDB