Tuning Overview: NST Dropped

This unique tuning, dubbed "NST Dropped", is described by its creator as an attempt to work within an NST (New Standard Tuning) framework while avoiding excessive string tension, achieved by generally lowering the overall pitch by approximately one and a half steps. The resulting open string notes carve out a distinct sonic landscape, combining wide intervals with a re-entrant top string.

Technical Analysis:

The tuning presents the following open notes:

• 6th String: A1
• 5th String: E2
• 4th String: B2
• 3rd String: F#4
• 2nd String: C#5
• 1st String: E4

Examining the intervals between these open strings reveals a blend of familiar and unconventional relationships, characteristic of experimental tunings:

• 6th String (A1) to 5th String (E2): Perfect Fifth (7 semitones)
• 5th String (E2) to 4th String (B2): Perfect Fifth (7 semitones)
• 4th String (B2) to 3rd String (F#4): Compound Major Third or Major Tenth (19 semitones). This represents a significant jump in pitch, creating a clear registral separation between the lower and higher strings.
• 3rd String (F#4) to 2nd String (C#5): Perfect Fifth (7 semitones)
• 2nd String (C#5) to 1st String (E4): Descending Minor Sixth (9 semitones down). This makes the tuning re-entrant, meaning the "highest" string in physical position is actually lower in pitch than its adjacent string, allowing for unique voicings and melodic inversions.

The open strings collectively form the notes A, E, B, F#, C#, E, which coalesce into a beautiful A Major 6/9 chord. This provides a rich, resonant foundation for open strumming and allows for immediate harmonic depth. The prevalence of perfect fifths in the lower and upper string sets (A-E-B and F#-C#) makes power chords and arpeggios intuitive within these groupings, while the large interval jump and the re-entrant top string invite exploration of wide voicings, unexpected melodic turns, and drone possibilities.

String Gauge Considerations:

This tuning involves significant adjustments from a presumed standard or conventional starting point. The 6th string is tuned down 7 semitones, and the 5th string is tuned down 5 semitones; both are substantial reductions in tension. Conversely, the 2nd string is tuned up 2 semitones, increasing its tension. For optimal playability, intonation stability, and to prevent string breakage (especially on the 2nd string), players should seriously consider adjusting their string gauges. Heavier gauges would be beneficial for the lower strings to maintain tension, while the 2nd string's upward tuning should be approached with caution regarding its current gauge.

How to Tune to NST Dropped

To achieve the NST Dropped tuning, carefully follow these instructions for each string. Always tune gradually and verify your intonation.

• 6th String: Tune down 7 semitones to A1. Caution: This is a significant drop in pitch (exceeds 4 semitones). A heavier gauge string is strongly advised for proper tension and tone.

• 5th String: Tune down 5 semitones to E2. Caution: This is a considerable drop in pitch (exceeds 4 semitones). A heavier gauge string is advised for better playability and intonation.

• 4th String: Tune down 3 semitones to B2.

• 3rd String: Tune down 1 semitone to F#4.

• 2nd String: Tune up 2 semitones to C#5. Caution: Tuning up increases string tension. Ensure your string gauge can safely handle this without breaking.

• 1st String: Keep as is; no change (0 semitones) for E4.