A#A#DFAC Guitar Tuner
A#A#DFAC | B♭B♭DFAC Tuning A# A# D F A C - Guitar tuning, chords & scales
The provided JSON describes an intriguing "A# Drone D Minor 7" tuning for a Guitar, explicitly noted as being "for that one hayley hendrix song". This setup transforms the standard guitar into a canvas for rich, dark, and potentially bluesy or melancholic soundscapes.
Verbal Analysis:
At its core, this tuning creates a deep, resonant foundation with the lowest two strings tuned to the same note, A# (B♭). This double A# acts as a powerful drone or pedal tone, providing a consistent low-end rumble that grounds the entire tuning. Above this drone, the higher four strings (D, F, A, C) perfectly form a D minor 7 chord. The combination of the A# drone with the D minor 7 creates a captivating sonic texture – a D minor 7 chord built upon its flattened sixth (bVI) or an inverted B♭ major 7 chord with a suspended 4th. This gives the tuning a naturally moody, sometimes yearning, or even slightly unsettling quality, perfect for expressive melodic lines or atmospheric strumming.
Technical Analysis:
The open strings are tuned to A#2 A#2 D3 F3 A3 C4 (from low E to high E string). The most notable feature is the unison tuning of the 6th and 5th strings to A#2, providing immense depth and a unique harmonic anchor. The higher strings resolve into a clear D minor 7 (D-F-A-C) arpeggio, making open chords incredibly rich and accessible.
Open & Accessible Chords:
- Open D Minor 7 over A#: Striking all open strings yields a powerful D minor 7 chord with the distinctive A# pedal tone. This gives an immediate, full, and complex sound.
- Movable Dm7 Shapes: The D-F-A-C structure on the top four strings means that many D minor 7 voicings can be easily shifted up and down the neck by simply barring across these strings.
- Thick Power Chords on A#: With two A# strings at the bottom, any power chords rooted on A# (B♭) will have an exceptionally full and robust sound.
- Unique Barre Chords: Barring across any fret will produce interesting harmonic clusters, often maintaining a minor 7th quality on the higher strings, but with a new root provided by the barred A# strings. For instance, barring at the first fret would yield a B minor 7 chord over B notes (B B E♭ G B♭ D♭), creating a new harmonic landscape.
How to Tune Your Guitar to A# Drone D Minor 7:
Please note: several strings involve significant tuning adjustments. For changes exceeding 4 semitones up or down, we advise considering a different gauge string to prevent potential string breakage or intonation issues.
- 6th String (Low E): Tune down 6 semitones to A#2. This is a substantial drop and should be done carefully.
- 5th String (A): Tune down 11 semitones to A#2. This is nearly a full octave drop from standard A and is a very significant change. We highly recommend using a heavier gauge string for this to maintain tension and avoid potential damage.
- 4th String (D): Keep as is; no change (0 semitones) to maintain the D3 pitch.
- 3rd String (G): Tune down 2 semitones to F3.
- 2nd String (B): Tune down 2 semitones to A3.
- 1st String (High E): Tune down 4 semitones to C4. This is a noticeable drop, and if you plan to keep this tuning for extended periods, a slightly heavier gauge might be beneficial.
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Capos for A#A#DFAC
Capo | Tuning | Name |
---|---|---|
0 | A#A#DFAC | Tuning A# A# D F A C |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -6
- -11
- 0
- -2
- -2
- -4