A#FA#FAC Guitar Tuner
A#FA#FAC | B♭FB♭FAC Bbadd9 Tunings - Guitar tuning, chords & scales
This captivating tuning, aptly named "Bbadd9 Tunings" by its creator, unveils a rich sonic landscape centered around an open Bbmaj9 chord. Its structure is inspired by the distinct DADAC#E tuning often favored in math rock and midwest emo genres, but masterfully transposed to suit a guitar already set up for C standard.
Verbal Analysis
Imagine a deep, resonant, and harmonically complex sound that rings out with just the open strings. This tuning provides exactly that: a full Bb Major 9th chord. The lower strings offer a powerful foundation with duplicated Bb and F notes across octaves, creating a thick, droning base. The upper strings then introduce the bright, expansive qualities of a Major 7th (A) and a Major 9th (C), adding a sophisticated shimmer to the overall sound. This setup is perfect for expansive arpeggios, atmospheric textures, and intricate chordal work, allowing for a dense harmonic palette with minimal effort, making it ideal for expressive songwriting and unique sonic exploration.
Technical Analysis
The open strings of this tuning are precisely: A#1 (Bb1) - F1 - A#2 (Bb2) - F2 - A2 - C3 (from lowest string to highest string). When analyzed from the lowest root (Bb), the intervals are as follows:
- String 6 (Bb1): Root
- String 5 (F1): Perfect 5th
- String 4 (Bb2): Octave
- String 3 (F2): Perfect 5th (Octave)
- String 2 (A2): Major 7th
- String 1 (C3): Major 9th
This configuration directly forms an open Bbmaj9 chord, offering a rich and full voicing without needing to fret any notes. The strategic placement of the Bb and F notes provides a robust power chord foundation, while the A and C add jazz-like extensions. This makes the tuning incredibly versatile for creating both heavy, resonant riffs and delicate, complex harmonies.
Chordal Opportunities with Open Strings
- Open Bbmaj9: All six strings strummed open will produce a full, resonant Bb Major 9th chord, perfect for intros or lush textural pads.
- Movable Power Chords: By simply barreing across any fret on the lower four strings (Bb-F-Bb-F), you can easily create movable root-5th-octave power chords. For example, a barre at the 1st fret gives you a B power chord, and at the 3rd fret, a C# power chord, allowing for easy key changes.
- Major 7th & 9th Voicings: The open A2 (Major 7th) and C3 (Major 9th) on the higher strings allow for easy construction of various major 7th and 9th voicings by simply fretting notes on these strings or pairing them with the lower drone notes, ideal for jazz or sophisticated pop.
- Drone & Melody: The low Bb1 and F1 provide excellent drone possibilities, enabling players to construct melodic lines and arpeggios on the higher strings, creating rich, layered soundscapes. This is particularly effective for ambient or experimental music.
- Suspended Chords: Experimenting with shifting the A2 and C3 notes slightly can lead to interesting suspended chord voicings (e.g., Bbadd9sus4 by raising the A to A# and the C to D) over the strong Bb-F foundation, offering a unique harmonic flavor.
Current Tuning Notes
- String 6 (Lowest): A#1 (Bb1)
- String 5: F1
- String 4: A#2 (Bb2)
- String 3: F2
- String 2: A2
- String 1 (Highest): C3
How to Tune to Bbadd9 Open Tuning
To achieve the Bbadd9 Open Tuning, follow these precise adjustments from your current setup. It is important to tune carefully and check the pitch frequently. For movements exceeding 4 semitones (up or down), consider using a different string gauge to avoid excessive tension or slack and ensure optimal playability.
- String 6: Tune down 3 semitones to reach A#1 (Bb1).
- String 5: Tune down 1 semitone to reach F1.
- String 4: Tune down 1 semitone to reach A#2 (Bb2).
- String 3: Tune up 1 semitone to reach F2.
- String 2: Keep as is; no change (0 semitones) to remain at A2.
- String 1: Tune down 2 semitones to reach C3.
All string movements for this tuning are within a safe range for standard guitar string gauges, so a string change is typically not required.
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Capos for A#FA#FAC
Capo | Tuning | Name |
---|---|---|
-9 | C#G#C#G#CD# | Open C# |
0 | A#FA#FAC | Bbadd9 Tunings |
2 | DBDGBD | Joni Plus Two |
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Tuning Map
- Fret
- S9
- S8
- S7
- S6
- S5
- S4
- -13
- C
- F
- A#
- D#
- G#
- C#
- -12
- C#
- F#
- B
- E
- A
- D
- -11
- D
- G
- C
- F
- A#
- D#
- -10
- D#
- G#
- C#
- F#
- B
- E
- -9
- E
- A
- D
- G
- C
- F
- -8
- F
- A#
- D#
- G#
- C#
- F#
- -7
- F#
- B
- E
- A
- D
- G
- -6
- G
- C
- F
- A#
- D#
- G#
- -5
- G#
- C#
- F#
- B
- E
- A
- -4
- A
- D
- G
- C
- F
- A#
- -3
- A#
- D#
- G#
- C#
- F#
- B
- -2
- B
- E
- A
- D
- G
- C
- -1
- C
- F
- A#
- D#
- G#
- C#
- 0
- C#
- F#
- B
- E
- A
- D
- 1
- D
- G
- C
- F
- A#
- D#
- 2
- D#
- G#
- C#
- F#
- B
- E
- 3
- E
- A
- D
- G
- C
- F
- 4
- F
- A#
- D#
- G#
- C#
- F#
- 5
- F#
- B
- E
- A
- D
- G
- 6
- G
- C
- F
- A#
- D#
- G#
- 7
- G#
- C#
- F#
- B
- E
- A
- -3
- -1
- -1
- 1
- 0
- -2