BADG#C# Guitar Tuner
BADG#C# | BADA♭D♭ BADxG#C# - Guitar tuning, chords & scales
Description - BADxG#C#
The tuning Ricky Wilson (The B-52's) used for songs Party Out Of Bounds and Quiche Lorraine. Note that this tuning featured a missing fourth string (the G in standard tuning) with the two highest strings tuned to G# and C#. The empty space provided by the missing string was an integral piece in how he composed and played these two songs.
Verbal Analysis:
Step into the unique soundscape of Ricky Wilson from The B-52's with this distinctive 5-string tuning. Aptly named 'BADxG#C#', this tuning was famously employed for iconic tracks like 'Party Out Of Bounds' and 'Quiche Lorraine'. What makes it truly stand out is the intentional removal of the fourth string (the G string in standard tuning). This deliberate empty space isn't just a quirk; it's an integral element of the tuning's character, allowing for unusual percussive attacks, open resonance, and driving rhythmic patterns that defined The B-52's new-wave sound.
Technical Analysis:
This tuning transforms a standard 6-string guitar into a 5-string instrument, with the original G string (4th string) completely absent. The remaining five strings are tuned to B1-A2-D3-G#4-C#5, from thickest to thinnest. Analysing the open notes (B, A, D, G#, C#) reveals a dissonant yet resonant character. The wide intervals and sparse nature mean that traditional open major or minor chords are not readily available. Instead, the tuning encourages experimental voicings, partial chords, and the exploitation of the open space for percussive elements, creating an expansive, ringing quality. For example, the lowest three strings (B-A-D) offer a powerful, open drone capability for bass lines or rhythmic figures. The higher G#4 and C#5 strings, a perfect fourth apart, can be used for cutting melodic motifs or adding bright, angular harmonies. This setup is designed for a specific artistic vision rather than conventional chordal playing, offering a unique palette for creative composition that perfectly suits the B-52's signature sound.
How to Tune:
Before you begin, note that this tuning requires the removal of the 4th string (the G string) from your guitar. The following instructions apply to a standard 6-string guitar setup, referring to the original string positions:
- 6th String (Lowest E-string): Tune down 5 semitones from E to B1. (Caution: Tuning down 5 semitones is a significant change; for optimal playability and to prevent string damage, consider using a heavier gauge string for this position.)
- 5th String (A-string): Keep as is; no change (0 semitones). It remains A2.
- 4th String (D-string): Keep as is; no change (0 semitones). It remains D3.
- 3rd String (G-string): This string is to be removed entirely.
- 2nd String (B-string): Tune down 3 semitones from B to G4#.
- 1st String (Highest E-string): Tune down 3 semitones from E to C5#.
Comments - have your say on BADG#C#
Capos for BADG#C#
| Capo | Tuning | Name |
|---|---|---|
| 0 | BADG#C# | BADxG#C# |
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Tuning Map
- Fret
- S6
- S5
- S4
- S2
- S1
- -13
- D#
- G#
- C#
- A#
- D#
- -12
- E
- A
- D
- B
- E
- -11
- F
- A#
- D#
- C
- F
- -10
- F#
- B
- E
- C#
- F#
- -9
- G
- C
- F
- D
- G
- -8
- G#
- C#
- F#
- D#
- G#
- -7
- A
- D
- G
- E
- A
- -6
- A#
- D#
- G#
- F
- A#
- -5
- B
- E
- A
- F#
- B
- -4
- C
- F
- A#
- G
- C
- -3
- C#
- F#
- B
- G#
- C#
- -2
- D
- G
- C
- A
- D
- -1
- D#
- G#
- C#
- A#
- D#
- 0
- E
- A
- D
- B
- E
- 1
- F
- A#
- D#
- C
- F
- 2
- F#
- B
- E
- C#
- F#
- 3
- G
- C
- F
- D
- G
- 4
- G#
- C#
- F#
- D#
- G#
- 5
- A
- D
- G
- E
- A
- 6
- A#
- D#
- G#
- F
- A#
- 7
- B
- E
- A
- F#
- B
- -5
- 0
- 0
- -3
- -3
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