The "Brojob Tuning from 'TUNING YOUR GUITAR IS LAME LOL'" is an experimental and extremely low-range 8-string guitar tuning, clearly designed for adventurous players seeking unconventional sounds. Born from a humorous video, it ironically delivers a seriously unique sonic palette, pushing the boundaries of traditional guitar voicings.

Verbal Analysis

This tuning plunges into an abyss of low frequencies, starting with an incredibly deep B0. The original author describes a 'Double Drop C#' feel with the C#2 and G#2, which indeed forms a powerful C#5 chord. What follows is a series of unconventional intervals: an F#3 and then a lower B2, creating a unique, almost inverted power chord feel. The inclusion of two A strings (A2 and A3) hints at a thick, resonant quality in the mid-low range, allowing for rich unison or octave playing. Finally, the highest string lands on a C4. Overall, this is not a tuning for strumming conventional chords. It screams for heavy, progressive riffs, dissonant textures, and experimental lead lines, where its massive low end and peculiar string relationships can be fully exploited. It's a tuning for pushing sonic limits and having fun while doing it.

Technical Analysis

• Instrument Type: 8-String Guitar
• Tuning Notes (low to high): B0, C#2, G#2, F#3, B2, A2, A3, C4
• Intervals between adjacent strings (low to high):
  • String 8 (B0) to String 7 (C#2): A massive jump of 26 semitones (Compound Major 9th + Octave). This creates an extremely wide gap, making it challenging to fret adjacent notes in a conventional manner.
  • String 7 (C#2) to String 6 (G#2): Perfect 5th (7 semitones). This forms a strong and resonant C#5 power chord.
  • String 6 (G#2) to String 5 (F#3): Minor 7th (10 semitones). A significant melodic leap that contributes to the unique and sometimes dissonant character of this tuning.
  • String 5 (F#3) to String 4 (B2): Descending Major 6th / Inverted Perfect 4th (B2 is 7 semitones lower than F#3). This creates an unusual open interval, offering unique harmonic possibilities where the 'root' of a B5 chord (B2) is on a lower string than its 'fifth' (F#3).
  • String 4 (B2) to String 3 (A2): Descending Major 2nd (A2 is 2 semitones lower than B2). Another downward interval, contributing to the unconventional string relationships.
  • String 3 (A2) to String 2 (A3): Octave (12 semitones). This provides a rich, resonant unison or octave sound across these strings.
  • String 2 (A3) to String 1 (C4): Minor 3rd (3 semitones). A common and expressive interval, offering melancholic or bluesy melodic potential on the higher strings.
• Potential Open Chords & Voicings:

  This tuning is not conducive to standard open chords due to its extreme range and highly irregular intervals. However, it excels at:

  • Power Chords: Readily available on specific string pairs, such as a C#5 (C#2-G#2) on strings 7 and 6, and a B5 (B2-F#3) on strings 4 and 5 (where the B2 is the root).
  • Octave/Unison Riffs: The A2-A3 octave on strings 3 and 2 offers a thick, driving sound.
  • Droning & Rhythmic Elements: The incredibly low B0 provides a foundation for massive, droning textures, perfect for heavy music.
  • Melodic Experimentation: The peculiar intervals encourage unique melodic and intervallic phrasing, particularly on the higher strings with the A3-C4 minor third.
• Overall Impression: This is a truly extreme and creative tuning that demands a heavy gauge string set and an open-minded approach. Its non-linear string relationships and vast tonal range make it a powerful tool for genres like djent, progressive metal, and experimental music, where its unique dissonances and immense low end can be fully utilized.

How to Tune

To achieve the 'Brojob Tuning', follow these specific instructions for each string, keeping in mind the significant pitch changes involved:

• String 8 (Lowest): Tune to B0. This requires tuning down 7 semitones. A much thicker string gauge is strongly advised for this significant drop to maintain tension and intonation.

• String 7: Tune to C#2. This requires tuning down 10 semitones. An extremely thick string gauge is essential for this extreme drop, as standard gauges will likely be unplayable.

• String 6: Tune to G#2. This requires tuning down 8 semitones. A much thicker string gauge is strongly advised for this substantial drop.

• String 5: Tune to F#3. This requires tuning down 3 semitones. This change is within a manageable range for standard string gauges, though a slightly heavier gauge might enhance stability.

• String 4: Tune to B2. This requires tuning down 3 semitones. This change is within a manageable range for standard string gauges.

• String 3: Tune to A2. This requires tuning down 10 semitones. An extremely thick string gauge is essential for this extreme drop.

• String 2: Tune to A3. This requires tuning down 2 semitones. This change is within a manageable range for standard string gauges.

• String 1 (Highest): Tune to C4. This requires tuning down 4 semitones. This drop is at the upper limit of what standard gauges can comfortably handle; while not strictly exceeding -4, consider a slightly heavier string for better performance.