BDBF#AD Guitar Tuner
BDBF#AD | BDBG♭AD B D B F# A D - Guitar tuning, chords & scales
This unique tuning, prominently featured in "vs self songs like waves, ti esrever, wake," offers a deep and expansive sonic canvas. It's designed for a heavy, atmospheric sound, blending resonant low-end power with bright, cutting melodies. The arrangement of notes lends itself well to drone effects, powerful riffs, and expressive melodic lines within a distinct sonic landscape.
Technical Analysis
- Tuning Notes: The tuning from low to high is B1-D2-B2-F#4-A3-D4.
- Overall Character: This is a profoundly deep and resonant tuning. The lowest strings provide a powerful foundation, creating a rich harmonic environment. The repeated B notes (B1, B2) and D notes (D2, D4) establish strong tonal centers, suggesting an Open B or Bsus2 feel.
- Open Chord Potential: When strummed open, the notes B-D-B-F#-A-D form a sophisticated B minor 7 chord. This produces an immediate, full-bodied, and slightly melancholic sound, ideal for setting an atmospheric mood or serving as a base for intricate melodic passages.
- Unique String Progression: A distinctive characteristic of this tuning is the F#4 on the 3rd string. This note is surprisingly high relative to the surrounding strings, being an octave above F#3 and even higher in pitch than the A3 on the 2nd string and D4 on the 1st string. This non-linear pitch progression (B1 < D2 < B2 < A3 < D4, with F#4 being higher than A3 and D4) allows for sharp, almost piercing melodic accents or harmonic textures that beautifully contrast with the deep bass frequencies. It suggests an approach that deviates from conventional chord shapes, encouraging exploration of specific voicings or single-note melodies.
- Chordal Implications:
- Power Chords: The drastically lowered B and D strings (B1 and D2) enable incredibly thick and powerful drone chords and riffs, particularly on the lower register. Barre chords across these bottom strings will yield immensely heavy sounds.
- Drone Effects: The open B and D notes are excellent for creating sustained, resonant drone effects, adding significant depth and atmosphere to your playing style.
- Specific Voicings: Due to the unique high F#4, the tuning encourages the discovery of unconventional voicings and wide-interval arpeggios, allowing for creative and distinct melodic phrases.
How to Tune Your Guitar to Vs Self Open B
To achieve the Vs Self Open B tuning, you will need to adjust your guitar strings from standard EADGBe tuning (E2-A2-D3-G3-B3-E4). Please proceed with caution, especially with significant downward tunings, as string tension will be greatly reduced. For movements exceeding 4 semitones up or down, a different gauge string is generally advised to ensure optimal playability and intonation.
- String 6 (Low E): Tune down 5 semitones from E2 to B1. (Caution: A different gauge string is advised for this significant change.)
- String 5 (A): Tune down 7 semitones from A2 to D2. (Caution: A different gauge string is advised for this significant change.)
- String 4 (D): Tune down 3 semitones from D3 to B2.
- String 3 (G): Tune down 1 semitones from G3 to F#3.
- String 2 (B): Tune down 2 semitones from B3 to A3.
- String 1 (High E): Tune down 2 semitones from E4 to D4.
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Capos for BDBF#AD
| Capo | Tuning | Name |
|---|---|---|
| 0 | BDBF#AD | B D B F# A D |
More BDBF#AD Resources
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -5
- -7
- -3
- -1
- -2
- -2
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