Tuning Analysis: Alt Drop B

The "Alt Drop B" tuning, as its name suggests, is an alternative approach to a very low register, dropping significantly below standard E. Technically, the open strings are tuned to B1-D2-F2-A2-C3-E3. This unique intervallic structure features a distinct pattern of minor third, minor third, major third, minor third, and major third between consecutive strings (B-D, D-F, F-A, A-C, C-E).

Verbally, this creates a very dense and rich open voicing that can sound both dark and expansive. The tuning's description highlights its design for "easier playing of major and relative minor chords as well as tritone of major root." While the open strings themselves do not form a simple major or minor chord, the specific intervals are likely optimized for certain chord shapes and voicings further up the neck. The inclusion of the root (B) and its tritone (F) in the lower register allows for powerful, dissonant, and resonant open chord voicings, ideal for heavy genres, atmospheric soundscapes, or experimental music. The overall low pitch, starting at B1, provides a deep, resonant foundation.

Chords and Playability:

Due to the low B-D-F intervallic pattern in the first three strings (6th, 5th, 4th), power chords and low, heavy riffs are easily accessible, offering a formidable bottom end. The tuning also lends itself well to open, arpeggiated figures that highlight the unique intervallic relationships. While conventional open major/minor chords might require specific fingerings, the stated goal of "easier playing" suggests that new, efficient shapes for these chords will emerge from the tuning's structure, encouraging exploration beyond standard voicings. The presence of B-D-F-A-C-E across the strings allows for complex harmonic structures, potentially akin to a B half-diminished 7th with added notes, to be achieved with minimal effort.

How to Tune:

This tuning involves significant downward adjustments from standard EADGBe tuning. Due to the extreme nature of these drops (ranging from 5 to 12 semitones), it is highly recommended to use a heavier gauge string set to maintain proper tension and intonation, and to prevent string breakage or damage to your guitar.

• 6th String (Low E): Tune down 5 semitones to B1.
• 5th String (A): Tune down 7 semitones to D2.
• 4th String (D): Tune down 9 semitones to F2.
• 3rd String (G): Tune down 10 semitones to A2.
• 2nd String (B): Tune down 11 semitones to C3.
• 1st String (High E): Tune down 12 semitones (one full octave) to E3.

String 6: B1
String 5: D2
String 4: F2
String 3: A2
String 2: C3
String 1: E3