Tuning Analysis: Vildhjarta Low Thall

This tuning, affectionately named "Vildhjarta Low Thall," plunges your guitar into a realm of extreme low-end power and atmospheric dissonance, perfectly capturing the essence of the "Vildhjarta pitch shifter" as described. It's tailored for djent-style riffs, heavy chugging, and creating vast, expansive soundscapes with a distinct thall-like character.

Verbal Analysis:

From the moment you strike the open strings, you'll notice the profound depth and weight of this tuning. The lowest string, B1, sits significantly below standard E, providing an earth-shaking foundation that is ideal for punishing, low-frequency riffs. The intervals between the lower strings (B-G, G-C, C-F) are wide but offer familiar perfect fourths for power chords and lead lines in the mid-range. The most unique and characteristic aspect is the F-A# interval on strings 3 and 2, a tritone that injects a signature dissonance, perfect for unsettling harmonies and cutting leads. This tuning encourages a percussive, rhythmic approach, allowing for massive open string chugs and complex polyrhythms.

Technical Analysis:

The open notes for this tuning are: B1 - G2 - C3 - F3 - A#4 - D#5 (from low to high).

• String 6 (B1): An extremely low note, ten semitones below standard E2. This offers immense sub-bass presence, ideal for creating a deep, resonant drone.
• String 5 (G2): Tuned a major sixth above the 6th string (B1). This wide interval creates a massive gap, emphasizing the drone potential of the lowest string or allowing for expansive voicing.
• String 4 (C3): A perfect fourth above the 5th string, aligning with common bass string intervals and enabling familiar power chord shapes.
• String 3 (F3): Another perfect fourth above the 4th string, maintaining familiar fingering patterns for power chords and rhythmic chugs.
• String 2 (A#4): Tuned an augmented fourth (tritone) above the 3rd string. This highly dissonant interval is a defining feature, providing a sharp, angular character to open voicings and lead lines.
• String 1 (D#5): A perfect fourth above the 2nd string, allowing for familiar higher-register power chord shapes and melodics.

While the open strings do not form a conventional chord, their unique arrangement facilitates specific musical ideas:

• The low B1 acts as a powerful drone, suitable for B minor, G major, or C Lydian-based compositions, or simply as a percussive low end.
• The G2-C3-F3 (strings 5,4,3) segment provides a series of perfect fourths, ideal for quick, heavy power chords (e.g., fretting 5th string, 4th string at +2 frets, 3rd string at +2 frets will give common power chord shapes).
• The F3-A#4-D#5 (strings 3,2,1) segment features the striking tritone, offering a dissonant flavour for open voicings or enabling complex, clustered chord tones with minimal fingering. Power chords on strings 2-1 (A#-D#) maintain a familiar shape.

How to Tune:

Please exercise caution when tuning, especially with significant pitch changes. For string movements exceeding four semitones up or down, considering a different gauge string is advisable to prevent damage and ensure optimal tension.

• String 6 (Low E): Tune to B1. This requires Tune down 5 semitones. Caution: This is a significant drop; heavier gauge strings are recommended for optimal performance and to maintain proper string tension.
• String 5 (A): Tune to G2. This requires Tune down 2 semitones.
• String 4 (D): Tune to C3. This requires Tune down 2 semitones.
• String 3 (G): Tune to F3. This requires Tune down 2 semitones.
• String 2 (B): Tune to A#4. This requires Tune down 1 semitones.
• String 1 (High E): Tune to D#5. This requires Tune down 1 semitones.

String 6: Tuned to B1. This is an extremely low note, providing a deep, resonant foundation for heavy riffs and chugging. It's significantly below standard E.

String 5: Tuned to G2. This string sits a major sixth above the lowest B, creating a wide and open interval.

String 4: Tuned to C3. Forming a perfect fourth with the 5th string, this allows for familiar power chord shapes and mid-range voicings.

String 3: Tuned to F3. Another perfect fourth from the 4th string, it maintains consistency for chugging and rhythmic patterns.

String 2: Tuned to A#4. This creates an augmented fourth (tritone) with the 3rd string, introducing a characteristic tension and dissonance often heard in modern heavy music.

String 1: Tuned to D#5. A perfect fourth above the 2nd string, this completes the higher register with a familiar interval for lead work and chord extensions.