This unique tuning, affectionately named "Evergarden BGD#F#AD," conjures a deeply evocative and somewhat ethereal soundscape. It is clearly tailored for specific musical expressions, likely mirroring the emotive qualities of its namesake, "Violet Evergarden." Its wide intervals and deliberate dissonances create a rich, complex texture, moving far beyond conventional open chords. The overall feel is melancholic, reflective, and capable of conveying intricate melodic lines over a broad harmonic canvas, perfect for atmospheric and deeply expressive pieces.

Technical Analysis:

• The open strings, from lowest to highest pitch, are B2, G2, A3, D4, D#4, F#4. This features an extremely wide range, starting with a very low B2 and G2, creating a powerful, resonant foundation.
• A striking characteristic is the presence of a minor second interval between D4 (String 1) and D#4 (String 4). This deliberate dissonance creates a unique harmonic tension, central to the tuning's distinct palette.
• Other notable intervals include a perfect fourth (A3 to D4), a minor third (D#4 to F#4), and a major third (G2 to B2, if considered from G).
• The overall structure suggests that this tuning is not designed for traditional open major or minor chord strumming. Instead, it lends itself beautifully to intricate fingerstyle, arpeggiated passages, or specific melodic lines where the inherent dissonances and wide voicings are intentionally exploited.

Open Chords and Possibilities:

Due to the significant dissonance created by the D4 and D#4 on adjacent strings, traditional open major/minor chords are not readily available. However, this opens up a world of complex harmonic possibilities:

• The tuning is ideal for creating suspended chords, complex extensions (e.g., 7ths, 9ths, 11ths), and highly atmospheric voicings.
• The low B2 and G2 strings provide a deep, resonant bass foundation, allowing for powerful root relationships when combined with fretted notes.
• Composers using this tuning will likely focus on melodic and arpeggiated patterns that highlight the unique interplay of the open strings, particularly the D/D# juxtaposition, to craft distinct sonic textures. Experimentation with partial voicings and drones will yield rewarding results.

Tuning Notes:

String 6 (Low E equivalent): B2
String 5 (A equivalent): G2
String 4 (D equivalent): D#4
String 3 (G equivalent): F#4
String 2 (B equivalent): A3
String 1 (High E equivalent): D4

How to Tune:

• String 6: Tune up 7 semitones to B2. Caution: Tuning up 7 semitones is a significant tension increase. A heavier gauge string is strongly advised to prevent breakage and neck damage.
• String 5: Tune down 2 semitones to G2.
• String 4: Tune up 1 semitone to D#4.
• String 3: Tune down 1 semitone to F#4.
• String 2: Tune down 2 semitones to A3.
• String 1: Tune down 2 semitones to D4.