BG#BD#F#A# Guitar Tuner
BG#BD#F#A# | BA♭BE♭G♭B♭ Open G#m9 Tuning - Guitar tuning, chords & scales
The "Open G# Minor 9th" or "Open Ab Minor 9th" tuning transforms your standard guitar into a resonant soundscape, ideal for creating rich, jazzy, and soulful minor harmonies. This specific tuning, named "Open g#m9 tuning", is designed to voice a G# minor 9th chord when all strings are strummed open, offering an immediate lush harmonic foundation.
Technical Analysis
This is an open tuning for a standard 6-string guitar. The open strings are tuned to:
- 6th String (Lowest): B1 (Minor 3rd of G#)
- 5th String: G#3 (Root of G#m9)
- 4th String: B2 (Minor 3rd of G#)
- 3rd String: D#4 (Perfect 5th of G#)
- 2nd String: F#4 (Minor 7th of G#)
- 1st String (Highest): A#4 (Major 9th of G#)
When played open, the notes B-G#-B-D#-F#-A# are present. These notes collectively form a G# minor 9th chord (G#-B-D#-F#-A#), with a particular voicing that places the minor third (B) as the lowest note, followed by the root (G#) on the 5th string. This arrangement provides a deep, full, and slightly ambiguous foundation that perfectly outlines the G#m9 harmony.
Chords and Playability
The primary benefit of this open tuning is the immediate access to G# minor 9th harmony and its easy transposition:
- Open Chord: Strumming all strings open yields a rich G#m9 chord, perfect for lush pads, intros, or atmospheric textures in genres like jazz, R&B, or even progressive rock.
- Barre Chords: By simply barring all strings at any fret, you can effortlessly transpose the G#m9 chord up the neck. For example, a barre at the first fret would produce an Am9, at the second fret a Bbm9, and so on. This makes navigating minor 9th progressions incredibly intuitive and smooth.
- Creative Voicings: The unique arrangement of notes, particularly the repeated B notes on strings 6 and 4, opens up possibilities for interesting partial chords and melodic lines within the minor 9th framework. Experimenting with two or three-string voicings can reveal beautiful, often complex, harmonies that are simple to achieve.
Given that many strings are tuned significantly down, players might find the string tension to be quite loose with standard gauge strings. For optimal playability, intonation, and to prevent buzzing, consider using a heavier gauge string set, especially for the strings that are dropped by four or more semitones.
How to Tune to Open G#m9 / Abm9
To achieve the Open G# Minor 9th tuning, you will need to adjust your guitar strings from standard EADGBe tuning as follows. Please take care when tuning, especially with significant semitone changes.
- 6th String (Low E): Tune down 5 semitones from E to B1. (Note: This is a significant drop; a heavier gauge string is advised for optimal tension and playability.)
- 5th String (A): Tune down 1 semitone from A to G#3.
- 4th String (D): Tune down 3 semitones from D to B2.
- 3rd String (G): Tune down 4 semitones from G to D#4. (Note: This is a significant drop; a heavier gauge string is advised for optimal tension and playability.)
- 2nd String (B): Tune down 5 semitones from B to F#4. (Note: This is a significant drop; a heavier gauge string is advised for optimal tension and playability.)
- 1st String (High E): Tune down 6 semitones from E to A#4. (Note: This is a very significant drop; a heavier gauge string is highly advised for optimal tension and playability.)
Always double-check your tuning with a reliable tuner to ensure accuracy. When tuning down significantly, loosen the string gradually to avoid excessive slack before reaching the target note. For any tuning involving a drop of 5 semitones or more, a different gauge string is generally recommended to maintain proper tension and intonation.
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Capos for BG#BD#F#A#
| Capo | Tuning | Name |
|---|---|---|
| 0 | BG#BD#F#A# | Open G#m9 Tuning |
| 5 | EC#EG#BD# | Open E 7/6 (seven Six) |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -5
- -1
- -3
- -4
- -5
- -6
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